Showing posts with label Ginee Seo. Show all posts
Showing posts with label Ginee Seo. Show all posts

Chronicle, you make beautiful books. Thank you.

Wednesday, August 19, 2015

Two weeks ago I shared the absolutely gorgeous cover for This Is the Story of You—my novel due out from Chronicle next April. It's a beach novel and a mystery. A survival story and a tale of friendship and a lost sisterhood.

Last night, after a long day, I was sitting on the couch in a form of melt when dear Taylor Norman of Chronicle sent along the final PDF file for the book's ARC.

Friends, it's beautiful. Carefully considered, page by page. Remarkably built. Accompanied by friends. (A.S. King and Patty McCormick, you're here with me.) And also — a most moving and welcome surprise — a gorgeous reader letter from Ginee Seo, Children's Publishing Director.

The package, the letter, the care, the assurance that my friends with travel with me down this path—Chronicle, you make some of the most beautiful books in this business. I'm so proud to have traveled to Berlin, then to Florence, and now to the Jersey Shore with you.

Thank you.


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Elena Vanishing/Hope and Other Luxuries/Elena and Clare B. Dunkle (Chronicle Books): Reflections

Sunday, November 23, 2014

A few years ago, in a novel called The Heart Is Not a Size, I wrote of Juarez, of a squatter's village, and of two best friends, Georgia and Riley, each of them navigating this foreign terrain while also navigating secrets. Georgia was privately negotiating anxiety attacks. Riley was declaring to anyone who asked (and Georgia, seemingly unwisely, had begun to ask) that she did not—absolutely did not—have an eating disorder, that she was not starving herself.

I wrote the book and created the characters because I understood both conditions all too well.

This coming spring, Chronicle Books will publish two companion books—true mother-daughter stories—about a young woman's struggle to stop hearing the hectoring internal voices that left her body starving, her heart working too hard, and her future imperiled. Calories were Elena's enemies. A bite of toast was a grave mistake. Numbers were everything. And Elena Dunkle was, in too many terrible ways, dying.

In and out of hospitals. In and out of rehab. In and out of conversations with the family who loved her and the specialists who seemed incapable of hushing the terrible voices. Elena Vanishing is grounded in extraordinary medical records, journals, and conversations. It is told in a high-velocity, present-tense voice. We see Elena's world. We hear the voices in her head. We rush headlong into an illness that may have a name but still remains, for every person afflicted, a mystery. Where does anorexia begin? How is it finally controlled? Where is the key that fits the lock, that stops time from running out?

You will read, your heart pounding. You will remember a version of someone you were, or someone you loved, or love still.

Ultimately, as Clare reminds the reader in an introductory letter, "this isn't the story of anorexia nervosa. It's the story of a person. It's the story of Elena Dunkle, a remarkable young woman who fights her demons with grit and determination. It's the story of her battle to overcome trauma, to overcome prejudice, but most of all, to overcome that powerful destructive force, the inner critic who whispers to us about our greatest fears."

There is depth, beauty, horror, and beauty again in Elena Vanishing. You'll read it, as I did, in a single day. You will think not just about the story that got made, but the story as it was being made—this mother, this daughter, remembering together, writing together, reaching out to the world together.

And when you are done there is a book called Hope and Other Luxuries to turn to—Clare Dunkle's memoir about loving this vanishing daughter of hers. Both books are being released by Chronicle next May. Both were edited by Ginee Seo, who poured her heart into these true stories and, once again (in Chronicle fashion), broke new ground by deciding to publish both sides of a story about an illness that affects millions of people around the world.

I own, it seems, the first two signed ARCs of both books, for I met Clare and Elena at the Chronicle booth at NCTE yesterday morning. I would like to thank Chronicle, as I close this blog, for including me at this event, for making such a home for me, for extending your friendship so warmly. Ginee Seo, Sally Kim, Jaime Wong—you threw one heck of a party, you look so good surrounded by Chronicle blue, and I am so proud to be a Chronicle author (and a Tamra Tuller writer).

Deepest thanks to those who stopped by to say hello, who stood in line for One Thing Stolen, who came and surprised, who spoke with me over a delicious meal. Twenty-four hours at the National Harbor. Not to be forgotten. Nor are these two books, by a mother and daughter.

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The Meaning of Maggie/Megan Jean Sovern: Reflections

Monday, February 10, 2014

Imagine this: A manuscript arrives on the desks of two exquisite editors at the same time. It is read through at once, loved at once. A tug here, a tug there, and it finds a home at Chronicle Books with Ginee Seo.

The other exquisite editor is named Tamra Tuller. Soon she will leave one coast to go to another to work at this same fine place called Chronicle. This book—this The Meaning of Maggie by Megan Jean Sovern—is now doubly loved in the same house by two editors who read it early on.

Since I'm lucky enough to know both Ginee and Tamra, I made it a point, not long ago, to snag a copy of this middle-grade novel for myself. What an absolute start-to-finish delight it is. This Maggie is going places—just ask her. She's the future president of the United States. She wins science fairs. She loves education so much that she calls those headed off to summer school the lucky ones and when her mother wants to take Maggie out of school for a special day, Maggie doesn't smile at the thought. She worries about what new knowledge she might miss.

What isn't lucky, though, and what can't easily be explained, is that Maggie's dad isn't well. His legs keep falling asleep. He has had to leave his job. He's supposed to be taking care of things at home while Maggie's mother works the laundry room at the local hotel. But sometimes Maggie's older sisters have to take care of Dad instead. And sometimes there are secrets that everyone refuses to tell. And sometimes things seem to falling apart, even though this eleven-year-old is pretty sure that if you're smart enough you can save the world.

Megan Jean Sovern's Maggie is indefatigable, footnote crazy, and memoir worthy, and this is her story of her quest to find out the name of her dad's condition and to find a way to fix it. It's a charming tale; it's a heartbreaking tale. It's the story of a mom, a dad, and three sisters who—nits and scrambles and sly comebacks aside—want desperately to take care of one another.  

The Meaning of Maggie is a book bound for glory. It was one of three books (including Stacey D'Erasmo's brilliant Wonderland and Beth Hoffman's gracious and moving Looking for Me) that I read throughout the recent storm. Intelligent, beautifully made books are often the best company we have. It's a fact from which I won't be dissuaded.

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Welcoming the nation's librarians to Philadelphia, and celebrating our own Free Library (and Chronicle Books)

Saturday, January 25, 2014


Last evening, I hardly felt the cold as I walked from 30th Street Station to the Warwick Hotel. The nation's librarians have come to my very own city for ALA Midwinter. So has Chronicle Books. And there I was, headed off toward a Chronicle-librarian vortex, with my mother's coat keeping me warm.

I found Chronicle's Ginee Seo, Lara Starr, Sally Kim, and my fabulous editor Tamra Tuller in the ballroom (note: these women are fashionistas!!). I also found Miss Adorable Herself, Lisa Morris-Wilkey, who made sure I would recognize her by the shimmer of that little pin she wears in her hair. The Grand Duke Walter was in the midst, as well as a librarian with a last name infinitely familiar to me—Novotny. It was a grand night as Chronicle's spring list was reviewed. I yearned to take every noted book home with me.

Asked to talk briefly about Going Over, I wanted to talk, most of all about Chronicle Books, which has been so extraordinarily generous to me. They keep placing surprises in my path. They keep thinking past me. I ask for nothing, and yet they appear with gifts. It is an extraordinary team. One example: Last week, a number of bloggers began to write to me, letting me know that Going Over ARCs had been sent their way. Facebook notes went up. Twitter feeds shimmered. And no one had ever said, Beth, we are going to do this for you, or, Beth, look what we did for you. It just got done.

So I am grateful to Chronicle Books, and I am grateful to Tamra Tuller, who brought me there and remains such a good friend, and I am grateful to the librarians who have come through this chilly weather to be in my city. I have written a love letter to a very particular Philadelphia library in this weekend's Inquirer—written my thanks to a program and to an individual, Andy Kahan, who makes sure that Philadelphians get their cultur-ating share of literature. But I hope that all librarians visiting my city today will know the love goes out to them, too.

I'll be back down in the city on Sunday, signing You Are My Only, now released as a paperback, for Egmont USA. Start time is 3 PM. I hope to see you, too.

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"This is perhaps the most exciting thing I have ever mailed you,"

Tuesday, October 29, 2013



writes Tamra Tuller.

And, indeed, it is.

What gorgeous (GORGEOUS) work Tamra Tuller and Chronicle Books have done on behalf of Going Over. Look at the neon pop of green. Look at the stenciled Ada, my heroine, who was inspired by one of Chronicle's own (look at the second picture; do you see the likeness?). Look at the boy and how he jumps. Look at the graffiti grit.

Sometimes everything is just right.

This is one of these times.

All love to Tamra Tuller, my editor, to whom this book is dedicated. All love to Jennifer Tolo Pierce, the designer who gorgeous-fied this book—inside and out. And all love to Ginee Seo, Lara Starr, Stephanie Wong, and Amber Morley of Chronicle Books.

It is a privilege.

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Going Over: The Berlin Book Cover Reveal

Monday, August 5, 2013

This is one of the most spectacular book covers I've ever seen.

How amazing, therefore, that it will now be associated with a book I wrote—a book that had its beginnings in a trip I took to Berlin and in a conversation I had with the ever-dear Tamra Tuller.

I have Tamra, my editor, to whom this book is dedicated, to thank for seeing this cover through. I have Ginee Seo, Lara Starr, Stephanie Wong, and the entire Chronicle team—for their great enthusiasm and care. And for this gorgeous, thoughtful, it-says-it-all imagery, I have Jennifer Tolo Pierce, the director of design at Chronicle. Jennifer, this is perfection.

This, then, is Going Over, due out from Chronicle next April 1st. I so eagerly anticipate this release.

It is February 1983, and Berlin is a divided city—a miles-long barricade separating east from west. But the city isn’t the only thing that is divided. Ada, almost 16, lives with her mother and grandmother among the rebels, punkers, and immigrants of Kreuzberg, just west of the wall. Stefan, 18, lives east with his brooding grandmother in a faceless apartment bunker of Friedrichshain, his telescope pointed toward freedom. Bound by love and separated by circumstance, their only chance lies in a high-risk escape. But will Stefan find the courage to leap? Will Ada keep waiting for the boy she has only seen four times a year ever since she can remember? Or will forces beyond their control stand in their way?

Told in the alternating voices of the pink-haired graffiti artist and the boy she loves, Going Over is a story of daring and sacrifice, choices and consequences, and love that will not wait.


“Beth Kephart has done it again. She’s spun gold out of the language of longing and has shown us how to make room for miracles. This novel –about a boy and girl separated by the cruelest of fates–will inspire any reader to make the leap for love.”
Patricia McCormick, author of National Book Award Finalists Sold and Never Fall Down  
“An unforgettable portrayal of life and love divided. Kephart captures the beauty and desperation of 1980's Berlin with prose both gripping and graceful.” 
Ruta Sepetys, New York Times bestselling author of Between Shades of Gray and Out of the Easy


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