A Jury of Her Peers: what a girl should want

For the 11th question of her What a Girl Wants series, Colleen Mondor asked a number of us one of her typically challenging questions: What does it mean to be a 21st century feminist, and on the literary front, what books/authors would you recommend to today's teens who want to take girl power to the next level?

Lorie Ann Grover, Laurel Snyder, Loree Griffin Burns, Margo Raab, and Zetta Elliott all came through with reliably interesting responses. I was caught up in a series of corporate projects and could not respond in time.

Today, however, I'd like to put my two cents in by recommending Elaine Showalter's A Jury of Her Peers: Celebrating American Women Writers from Anne Bradstreet to Annie Proulx to readers of any age, gender, or race who wish to understand and celebrate just how hard women have had to work to put their voices on the page—and how women's voices have and will continue to shape us.

Anne Bradstreet, one of this nation's first women writers, entered print, in Showalter's words, "shielded by the authorization, legitimization, and testimony of men." In other words, Showalter continues, "John Woodbridge, her brother-in-law, stood guarantee that Bradstreet herself had written the poems, that she had not initiated their publication, and that she had neglected no housekeeping chore in their making."

No vanity allowed, in other words, and no leaving those dishes in the sink.

Showalter's book—which yields insight into the stories of Phillis Wheatley, Julia Ward Howe, Harriet Beecher Stowe, Emily Dickinson, Edith Wharton, Willa Cather, Dorothy Parker, Zora Neale Hurston, Pearl Buck, Shirley Jackson, Harper Lee, Sylvia Plath, S.E. Hinton, Grace Paley, Joan Didion, Lorrie Moore, Jayne Anne Phillips, Sandra Cixneros, Amy Tan, Louis Erdrich, Jhumpa Lahiri, Gish Jen, and so many others—is itself a piece of history, for it is, unbelievably, the first literary history of American women writers.

Showalter suggests that the development of women's writing might be classified into four phases: feminine, feminist, female, and free. Anyone who wants to know just how we got to free (and to ponder, with the evidence, whether or not we're really there) should be reading this book.

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The Nonfiction Question

For the fifth question in Chasing Ray's fascinating series, What a Girl Wants, Colleen Mondor asked the panel to reflect on those subjects that "should be addressed in YA nonfiction that teen girls would want to read about and just as important — should read about." Colleen never asks easy questions, but this one proved to be tougher than the rest.

My answer, as you'll see, if you travel over to the site, relates to place and culture—to the need (in my estimation) for books that transport YA readers to places they've not yet been and puts them there not in textbook fashion but in a way that opens doors to compassionate, empathetic, engaged living. I was thinking about Juarez, among other places, when I developed my response, and so my photo choice of the day.

But it's not really my answer that concerns me here. It's what Lorie Ann Grover, Zetta Elliott, Laurel Snyder, Jenny Davidson, Sara Ryan, Mayra Lazara Dole, and Colleen herself have to say that I hope will interest you.

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