Showing posts with label Richard Avedon. Show all posts
Showing posts with label Richard Avedon. Show all posts

William Robert

Friday, October 30, 2009

at the Richard Avedon show, San Francisco Museum of Modern Art,
August 2009.

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Appreciation: Richard Avedon and Robert Frank at SFMOMA

Thursday, August 27, 2009

Every time I'm in San Francisco I go several blocks down the street from the Hotel Rex, where I stay, and see what might be showing at SFMOMA.

This time, I got very lucky, for entire wings had been given over to both Robert Frank and Richard Avedon, photographers whose work has so very much to teach. The Frank exhibition presented, among other things, 83 photographs taken in America during 1955 and 1956—a time of diners, jukeboxes, intense racism, Hollywood, iconic barber shops, and road trips. It's not just the photographs that make this show. It's their heartrending juxtapositions. I'm writing a novel that takes place during this time—or I will be, months from now, when other work settles—and every pulse beat of every photograph mattered hugely to me.

The Avedon retrospective is one of a kind—SFMOMA will be its only host—and features more than 200 seminal portraits of faces wholly alive. A dancer, blurred. Dylan in the street. Janis Joplin inside a fury of hair. Marilyn Monroe with all her beauty still intact. I'd long been an Avedon fan. I'd never stood before his photos, hung, the faces so much larger than they'd ever be in life.

I had my camera with me; I expected someone at the door to take it. But no one did, and when I asked whether photos could be taken at the show, I was given an easy nod. At first it seemed wrong to photograph the photographs. Then I realized that that wasn't the subject at all. The subject was appreciation.

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Swinging High

Friday, August 21, 2009

We saw the sea lions in the glaze of sunset. We saw the Richard Avedon exhibit and the Japanese tea garden. I bought something for myself and something for my father and something for a friend and now we are off to see one of the most generous literary couples I know, Kate Moses (Wintering) and Gary Kamiya (one of the smartest journalist in the states). I have missed Kate dearly. She is now just 20 minutes away. I bought her a bouquet of red sunflowers. Red! And the man who sold them to me told such a story.

I love San Francisco. I can't help what it does to my heart.

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