Showing posts with label Sarah Bakewell. Show all posts
Showing posts with label Sarah Bakewell. Show all posts

How To Live or A Life of Montaigne in One Question and Twenty Attempts at an Answer/Sarah Bakewell: Reflections

Sunday, April 3, 2011

At my advanced age, any insights into how to improve my living (before it is, indeed, too late) are welcome.  Besides, I've always liked reading Michel Eyquem de Montaigne or about him, and besides (and in addition), I write memoir, I teach it, and I blog; I have, in other words, a debt to pay when it comes to this thoroughly-modern 16th-century wine-growing Frenchman who made it his practice to pay attention—to himself, mostly, and to those around him—and to write down what he thought.

Long story short:  As soon as I heard about Sarah Bakewell's How to Live or A Life of Montaigne In One Question and Twenty Attempts at an Answer, I bought it.  This weekend, I sat down and read it.

Oh, what pleasure I have had.  How much respect I have for Bakewell's thoroughly ingenious, utterly companionable go at a man and his era.  No mere biography, this.  No self-help guide, either.  Might we call it a romp, then, through history and idea?  Might we simply say that history rarely feels this contemporary, especially when centuries stand between the subject and the reader?

Montaigne spent years observing, contradicting, bellowing, whimpering, celebrating, complaining.  He wrote hundreds upon hundreds of "essay" pages.  Bakewell organizes the best of him, his times, and his work into twenty chapters that are titled like this:

Q. How to live? A. Keep a private room behind the shop.
Q. How to live? A. Guard your humanity
Q. How to live? A. See the world.
Q. How to live? A. Reflect on everything; regret nothing.
Q. How to live? A. Let life be its own answer. 

You're in love with this already, right? (Come on.  It's just us. Tell the truth.)  You want an excuse to sit with a fat hardcover filled with old-time iconography and well-told stories about a long-dead man so that you can (at your leisure) take measure of your own life, your own ways, your next steps.  I know this about you, for I know it about me.  We're human, the two of us, and so it's what we need.

P.S. This photo, taken earlier today at Chanticleer garden, heralds spring where I live.  It heralds seeing.

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Memoir Fetish (welcoming these new titles to my memoir library)

Friday, February 18, 2011

My appetite for books is insatiable, always, and when I teach, buying and reading memoir is a seamless compulsion.  Every student is on her own course.  Every young writer must be guided to just the right books at the right time.  To a memoir library already teeming, I this week add the following titles:

Devotion, Dani Shapiro

Mentor: A Memoir, Tom Grimes

How to Live:  Or A Life of Montaigne in One Question and Twenty Attempts at an Answer, Sarah Bakewell (yes, this is a biography, but it is a biography of one of our most iconic early memoirists)

History of a Suicide, Jill Bialosky

The Liars' Club, Mary Karr (I need a new copy)

Moments of Being, Virginia Woolf

House of Prayer No. 2:  A Writer's Journey Home, Mark Richard

Townie:  A Memoir, Andre Dubus III

Duke of Deception:  Memories of My Father, Geoffrey Wolff (hugely ashamed that I have not read this before)

Say Her Name, Francisco Goldman (classified as a novel, much like Dave Eggers classified his own memoirish story as a novel; my reflections on this book were posted two days ago)

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