Monday, February 27, 2012
As I read, I again and again stumbled across passages that have peculiar and particular relevance to me right now. Good books do this. Good books speak directly to you.
How about this, from the immaculate House of Prayer No. 2?
You are also interested in how you can create tension in texts between what meanings the words are conveying on the page and what the sounds of the words themselves are evoking in a reader. Why are certain melodies sad? Melodies without words.