"Original Philadelphian": an indepth interview with Joe Glantz
Monday, January 9, 2017
It's all here, with thanks to Joe Glantz. Check out the whole series here. Read more...
April 20/ 7 PM
Keynote Address
1st Annual Writing Conference: Brave New Words
Pendle Hill
Wallingford, PA
May 6 - May 11
Currents 2018
Five-Day Juncture Memoir Workshop
Frenchtown, PA
June 3/2:45 PM
The Big YA Workshop
2018 Rutgers-New Brunswick Writers' Conference
300 Atrium Drive
Somerset, NJ
June 5/7:00 PM
Launch of WILD BLUES
Wayne, PA
June 10/9:30 AM
The Personal Essay Workshop
Philadelphia Writers Conference 2018
Sheraton Hotel
Philadelphia, PA
September 28/9:30 AM
One-day Juncture Memoir Workshop
Chanticleer Garden
Wayne, PA
KTE: You told me that, for you, landscape is a character. It is for me too. Can you explain that a bit here? Why is this so? How do you manifest this belief in your work?BK: Landscape shapes us. It defines our legs and lungs as we walk through it. It shapes the way we see, how we define horizons, what seems impossibly far away and what seems gratifyingly or frighteningly near. Landscape is proximity, and it is distance. It is another way of measuring time. And so, in much of my work—the memoirs (especially my book about marriage and El Salvador), the river book, a YA novel that takes place in Juarez, a YA book that takes place in a garden (and Barcelona and Portugal), another YA novel that takes place in Centennial Philadelphia, and of course Small Damages—I am placing my characters down among very specific places and learning how it shapes them.
Philomel is exquisite. At Philomel I have a home. There I have never felt like a fringe writer, a secondary writer, a marginal, will-she-please-fit-a-category, we’ll-get-to-you-when-we-get-to-you writer. Michael Green, Philomel’s president, is a most generous person, and correspondent. Tamra—beautiful, intelligent, thoughtful, embracing—approached the editing of this book, the design of its cover, and the preparation of it for the world with the greatest care, and in the process we became great friends. Jessica Shoffel, a wildly wonderful and innovative publicist, wrote me a note I’ll never forget after she read the book and her devotion to getting the word out has been unflagging, sensational. The sales team got in touch a long time ago and has stayed in touch. And on and on.
But no, I never knew I would shine. I don’t think of myself as a diamond or a star. I never think in those terms. I just keep writing my heart out. And when you are collaborating with a house like Philomel, when you are given room, when your questions are answered, when you are given a chance, there are possibilities.
I mentioned earlier this week that I had been granted a privileged place in the Winter Blog Blast Tour—an interview with Shelf Elf. I invite you to join us for a conversation that ranges from the perils and pleasures of not writing by-the-numbers books to the "truths" I seek to convey in my work to advice I would give to the characters I write to my trip to Anapra to Dangerous Neighbors, my historical novel due out next fall.
Here's a brief excerpt:
When I’m finished reading your books, I keep thinking about the main characters. They stay with me. I feel like your characters are going places in their lives, going to be change-makers and risk-takers and people who live life with everything they’ve got. Do you imagine your characters’ futures? If yes, where do you see Katie and Georgia and Riley down the road?
My main characters are always in large part rustled up from parts of me, so that I know them well. I knew Elisa, that young, struggling poet of Undercover. I knew Rosie, desperate to do right by her dying grandfather in House of Dance. I knew Katie of Ghosts and I am so very like Georgia of Heart. They live with me, these characters. I know who they were, and I know who they’ve become. They’ve become a woman who feels blessed, every day, to be alive. A woman who struggles, every day, to be a better person. A woman who wishes, every day, that she could seize the world with words and photographs—hold it, own it, yield it back to others.
Read more...
I am definitely living another's life right now.
I am not me. I am merry-go-round whirling. I am dizzy.
First My Friend Amy and Presenting Lenore cook up this not-to-be-believed virtual (surprise) launch party for Nothing but Ghosts—replete with prizes, with urgings, with viral enthusiasms. Their friends friend the initiative. Momentum builds. Conversations unfold: Can bloggers shape the book industry? Is there power in blogger suggestion? A party becomes a dialogue. A dialogue becomes a story. I watch, stunned—the woman who still thinks of herself as the loner in high school.
Then, today, I wake to discover that my friend, humorist and novelist (yes, she's a novelist; I'm reading her it-will-be-published-soon novel right now) Anna Lefler, has kicked off an extravaganza all her own. I mean: An. Ex.Tra.Va.Gan.Za. Featuring a Beth Kephart tour bus (how does she do those things?), an ocarina, and a bootleg interview conducted (in Anna's trademark so-smart-it-can't-be-slapstick style) with yours truly (when I received her questions I started to laugh; as I answered I kept laughing). Featuring prizes that you have to see to believe ($150 Amazon gift card anyone?).
I know that life isn't always like this. In fact, it rarely is. Nothing but Ghosts is my tenth book. What happens here, what happens now, is not, for an instant, taken for granted. It is a surprise. It is a miracle. It is this moment in time that I will return to, years from now. Remember when?, I'll say.
You all know Liviania, yes? You do, right? I interviewed her here once before, and she's consistently impressed me in the intervening months. Her blog, In Bed with Books, is a growing triumph, and her reports out, from her life as a college student, are often story enough.
In any case, she's been having a birthday, and she asked me to be one of several authors to help her celebrate. Our recent conversation is posted here. A Nothing but Ghosts giveaway is part and parcel of our party.
I've mentioned a podcast recording of a one-hour dialogue I had earlier this week with that gem interviewer, Barbara DeMarco-Barrett. Our topics ranged from the crafting of authenticity in prose to the genesis of my involvement with young adult novels to the making of Nothing but Ghosts and Undercover (I read excerpts of both). We talked about what makes for good books overall. We spoke of how past awards, past seeming successes are, in fact, always in the past, and that every single day of writing feels brand new, raw, and uncertain.
If you can forgive the popped Ps of a long-distance phone conversation (I hope you can and will), I invite you to listen in here.
Yesterday I wrote about the float of a book—how the books I fall into and wish to write generate energy in the seams, in their criss cross and overlays.
Today I am myself floating on air, for Hip Writer Mama, of whom I wrote just a few days ago, has posted her interview with me on her popular blog site, which has been running terrific author interviews all week long as part of the 2008 Winter Blog Blast Tour.
http://hipwritermama.blogspot.com/2008/11/wbbt-through-eyes-of-beth-kephart-and.html
I'm not going to say more here, for I'd love for you to visit her today—Hip Writer Mama, who puts such time into her interviews and such care in the posting (obviously, I don't even know how she does what she does with all those fancy color-coded embeds, or I'd do a little of that myself). Later today (perhaps by 11 AM Philly time?) you will also be able to find me on the MySpaceHarper Teen site, where I'm writing about something that is important to all of us who care about our future: books, and how we vote for them by buying them.
http://www.myspace.com/harperteen
Enough having just been said, I think I'll go hop my train for the city and float some more.
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