April 20/ 7 PM
Keynote Address
1st Annual Writing Conference: Brave New Words
Pendle Hill
Wallingford, PA
May 6 - May 11
Currents 2018
Five-Day Juncture Memoir Workshop
Frenchtown, PA
June 3/2:45 PM
The Big YA Workshop
2018 Rutgers-New Brunswick Writers' Conference
300 Atrium Drive
Somerset, NJ
June 5/7:00 PM
Launch of WILD BLUES
Wayne, PA
June 10/9:30 AM
The Personal Essay Workshop
Philadelphia Writers Conference 2018
Sheraton Hotel
Philadelphia, PA
September 28/9:30 AM
One-day Juncture Memoir Workshop
Chanticleer Garden
Wayne, PA
The question becomes: How does one write a scene that powers forward (can't be stopped) and yet (and for me there is always the and yet) makes room for the stop-to-watch-it-work invention of language?
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8 comments:
I love watching them carry their heads like that; better yet, I love it when I'm able to make it happen as a rider.
Sometimes struggling to describe, or relaying the impossability of doing so, is more effective than a smooth ebb and flow of words.
When I think of a scene that powers forward, it always deals with huge conflict and emotion.
Here's my method:
Mix up short and long sentences and create the urgency, the power--with the cadence, the right word, the emotion. Then, you've got it.
And if all else fails, watch a movie or listen to music that creates the emotion you seek and start writing.
Write it first. Just write the whole thing. Then go back and change up the phrasing, the language, the blend, and when you're doing that, you end up seeing the invention of the language that you want to witness (because you are still, in essence, writing it).
If the language is beautiful enough, it can itself propel me forward as a reader. So I'm not sure where for you the conflict lies. Can you explain that more?
Ah, yes.
Nice photo. :)
Huh. Interesting question. And for me, language is all. But then what do I know?
hi
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do u know persian poets ?
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