Musehouse Tomorrow Night, and an answer for those who have questioned Emmy's voice in YAMO
Friday, March 16, 2012
If I find green in my closet, I will wear green. And for those of you who are wondering, I will be reading a section from the book that I've never read aloud from before. I'm going to be addressing—overtly—those who wonder why I chose to do something different with language after Emmy's breakdown.
(The answer: Language was broken for her. I was mapping, in those sections, the reconstitution of ideas and words. I could not write the ordinary and the obvious because, well, mental breakdowns are neither ordinary nor obvious.)
(And besides, well: gosh. I think we have to take risks.)
(The answer: Language was broken for her. I was mapping, in those sections, the reconstitution of ideas and words. I could not write the ordinary and the obvious because, well, mental breakdowns are neither ordinary nor obvious.)
(And besides, well: gosh. I think we have to take risks.)
3 comments:
I agree that the language needed to be broken down for her...in those sections. I knew what you were doing.
I loved Emmy's voice. It was so authentic to her situation.
I didn't even know there was an issue! That book was wonderful. It's so hard to be a writer. Your work becomes public and you hope it sells well. But if it does, there are ever so many more opinions, because everyone has one. Someone wise told me to be selective about listening.
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