Jill Lepore: The Prodigal Daughter
Tuesday, July 9, 2013
Each year, for the Lore Kephart '86 Distinguished Historians Lecture Series, a group of faithful Villanova University scholars (including my good friend Paul Steege) work with my father to choose a speaker who will engage the Villanova students, faculty, and greater community. In 2011, that speaker was Jill Lepore, whose work I have always admired and whose presentation on Jane Franklin, Benjamin Franklin's sister, was exquisite. Jill was working on a book, she'd told us. What a great a book we knew it would be.
In this week's New Yorker, Jill Lepore contributes an essay titled "The Prodigal Daughter" that interleaves her research on Jane Franklin with her own growing up with a mother who was primed for beauty and who insisted that Jill go out and embrace the world. It is the most personal essay I've ever read by Lepore—and, by far, the most wrenching. It bears reading by any writer seeking proof of how the personal can elevate the historical, and how history bears on the present day. The final paragraph of Lepore's essay made me weep, literally. But let me share here the place where it all begins:
In this week's New Yorker, Jill Lepore contributes an essay titled "The Prodigal Daughter" that interleaves her research on Jane Franklin with her own growing up with a mother who was primed for beauty and who insisted that Jill go out and embrace the world. It is the most personal essay I've ever read by Lepore—and, by far, the most wrenching. It bears reading by any writer seeking proof of how the personal can elevate the historical, and how history bears on the present day. The final paragraph of Lepore's essay made me weep, literally. But let me share here the place where it all begins:
In the trunk of her car, my mother used to keep a collapsible easel, a clutch of brushes, a little wooden case stocked with tubes of paint, and, tucked into the spare-tire well, one of my father's old, tobacco-stained shirts, for a smock. She'd be out running errands, see something wonderful, pull over, and pop the trunk. I never knew anyone better prepared to meet with beauty.And later—a passage I remember well from Lepore's 2011 talk:
He ran away in 1723, when he was seventeen and she was eleven. The day he turned twenty-one, he wrote her a letter—she was fourteen—beginning a correspondence that would last until his death. (He wrote more letters to her than he wrote to anyone else.) He became a printer, a philosopher, and a statesman. She became a wife, a mother, and a widow. He signed the Declaration of Independence, the Treaty of Paris, and the Constitution. She strained to form the letters of her name.Lepore's new volume, Book of Ages: The Life and Opinions of Jane Franklin, is set for publication in October. My mother would have loved Jill Lepore. If you don't already love her, you will after reading "The Prodigal Daughter."
3 comments:
I love how this picture looks like an open book
I also adored this essay by Lepore, Beth, and was also deeply moved by it. You've articulated its power beautifully here.
I also adored this essay by Lepore, Beth, and was also deeply moved by it. You've articulated its power beautifully here.
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