The (sort of incredible) Bulletin of the Center for Children's Books review of GOING OVER

No words for this Bulletin of the Center for Children's Books review of Going Over. With huge thanks to whomever took the time to read and to craft these words.

Sincerely grateful.

Bulletin of the Center for Children’s Books
June 2014

“A keenly intimate story of human love made epic by circumstances.”-- Bulletin of the Center for Children’s Books


The Berlin Wall divides fifteen-year-old Ada Piekarz from her boyfriend, Stefan, in 1980s Germany, and vibrant, rebellious Ada, “Professor of Escape,” desperately wants Stefan to make the dangerous trek over the wall to freedom and to her. In West Berlin, Ada lives with her depressed mother and worried grandmother in a squatter’s co-op, working in a day care for the children of immigrant Turkish laborers, and, by night, illegally creating spray-paint murals on the Berlin Wall to celebrate those who have safely escaped from the Communist-controlled East. She’s determined to see herself as the person who can take care of herself and everybody else, but her inability to fight the world is tearing at her and making her push Stefan; her pressure becomes stronger as she deals with the aftermath of her own rape and seeks to rescue one of her beloved young charges, who disappears after indications of dangerous domestic violence in his family. Brave and heartfelt Ada is an arresting character, appealing as a committed activist, a punky urban artist, and a young girl in love (she and Stefan, whose grandmothers were girlhood friends, grew up knowing each other). Stefan’s yearning for her, expressed in chapters addressed entirely to her in the second person, seems utterly justified even as it’s clearly tied into his yearning for all kinds of change and liberation. Kephart’s crystalline, resilient prose vividly evokes 1980s Berlin, with elders still deeply marked by World War II, the gulf between East and West tantalizingly narrow (Stefan can sometimes see Ada from his balcony), and the economy running on an ill-paid foreign underclass. Sure, there’s plenty of political extrapolation to current events and issues, but it’s also a keenly intimate story of human love made epic by circumstances.
  

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A Starred Review for Nothing but Ghosts

The boy leaned forward to prepare himself for the quick dash across the plaza. Leaned forward, spread his wings. He was surprised by his own speed. He laughed. He never thought he'd get so far.

Yesterday I was in my post-vacation panic—piled high with work, looking ahead with consternation—when an e-mail slipped in from Ruta Rimas, my new editor at HarperTeen. There had been a starred review of Nothing but Ghosts from the Bulletin of the Center for Children's Books, she wrote, an especially beautiful one. She wanted to share it with me.

I leaned forward. I was surprised. I never thought ....

From the review:

... Kephart employs this basic framework to spin a story of human connection and human loss, of looking forward and remaining frozen in time, as flashbacks to Katie's mother's life and last days interleave with Katie's unearthing of secrets about Miss Martine's past. The style is elegantly polished yet tender, with the book deftly illuminating complicated emotions and relationships in quick flashes of interaction; Katie's budding romance with her co-worker, Danny, her friendship with the soignee librarian who aids her research, and her father's growing comradeship with the needy preschooler across the street all evolve quietly yet affectingly...

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