Showing posts with label Micah Kleit. Show all posts
Showing posts with label Micah Kleit. Show all posts

Philadelphia: A Love Affair (coming in Fall 2015 from Temple University Press)

Thursday, November 20, 2014

A year from now, Temple University Press will release Love: A Philadelphia Affair, a collection of thirty-six essays on the intersection of memory and place. Thirty-eight of my black-and-white photographs will accompany the text.

Some twenty of those essays first appeared in the Philadelphia Inquirer—pieces I was lucky enough to write for Inquirer editors Avery Rome and Kevin Ferris. Others have been written over the past few months for the book itself, taking me into and around the city on days of rain and sun to consider the streets, the architecture, the gardens, the sidewalks, the highs, the lows, and the communities that have played such a powerful role in the ways that I see, the books that I write, and the stories I teach. Flow: The Life and Times of Philadelphia's Schuylkill River, Dangerous Neighbors (1876 Philadelphia), Dr. Radway's Sarsaparilla Resolvent (1871 Philadelphia), Small Damages, Handling the Truth, and even One Thing Stolen all reflect, in different ways, my love for this region and the people I have met here.

My great thanks to Micah Kleit, Ann Marie Anderson, and Gary Kramer at Temple University Press for helping me to see this dream through. My deep gratitude to Kevin Ferris and Avery Rome, who made my writing about this region such a pleasure. And huge appreciation to my agent Amy Rennert, who saw the details of this project through.

Micah and I wrapped the book up yesterday, from an editorial and photography perspective. I can't wait to hold this book in my hands, to be able to tell the world again and in new ways why I love where I live.

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The paperback FLOW comes home

Saturday, June 7, 2014

I had written here (with hope, with joy, with relief, even) about the pending paperback release of Flow: The Life and Times of Philadelphia's Schuylkill River, a book that first appeared as a Temple University Press hardback in 2007.

But I hadn't seen the paperback myself until yesterday afternoon, when my first copy arrived in a manilla envelope, thanks to the press's Sara Jo Cohen.

It is just as shiny, sweet, high-quality, and true as the hardback of so many years ago.

And I'm just as happy.

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It's Official—and Cover Reveal: Dr. Radway's Sarsaparilla Resolvent

Friday, August 17, 2012

Many years ago I wrote an odd book called Flow: The Life and Times of Philadelphia's Schuylkill River.  Flow had grown out of my love for my city, was supported (in all its strangeness) by a Pew Fellowships in the Arts grant, and was published by the best possible house for a book such as that one:  Temple University Press.  Micah Kleit, my editor, gave the book room, while Gary Kramer, a savvy and delightful publicist with deep Philly roots, gave it wings.  Not so run-of-the-mill in tone, structure, and voice, but always Philly true, Flow sits today—slender and alive—on my shelves, thanks to Micah's picking up the phone when I called.

From Flow grew Dangerous Neighbors (Laura Geringer Books/Egmont USA), my 1876 Centennial novel.  Katherine, a bereaving twin, stands at the heart of that story, but just one step to her left is a character named William, a young man from the poor side of town who rescues lost animals for a living.  William was a character who never left my thoughts.  He lived with me long after Dangerous Neighbors ended.

Soon I was conjuring William as a young adolescent living among the machines of Baldwin Locomotive Works in 1871 Philadelphia.  His brother has been murdered by a cop (the murder based on a real Philadelphia event), his father is in Eastern State Penitentiary, and it is up to William to protect his heart-and-soul-sickened mom.  William gets some help in this from his best friend, Career, who has a job with the newspaper man, George Childs.  He gets help, too, from a prostitute named Pearl, and from the little girl next door.  He thinks he's getting help from the strange medicines (that sarsaparilla resolvent among them) that were being pedaled at the time.  And those ginger-haired twin girls from Dangerous Neighbors?  They're in and out of his poor neighborhood, thanks to their feminist mother.

After I'd finished writing this novel, I sat and thought for a time about publishing options.  I wanted a true Philadelphia home for this book.  I wanted an opportunity to work with a house that might connect this story to Philadelphia school children, museum goers, history buffs.   It wasn't long before I was writing a note to Micah at Temple University Press, who thought the story sounded interesting and encouraged me to send it on to his colleague, Stephen Parks.  Steve is a Syracuse University professor who also runs New City Community Press.  NCCP began as a literacy project in the public schools of Philadelphia, won a major national grant in support of its ethos, and remains today committed to telling community stories.  I liked the sound of all that, and so, last February, I met Steve in Chestnut Hill and we talked.  There's been no question (in my mind) about this book's future ever since.

Today I can officially announce that Dr. Radway's Sarsparilla Resolvent will be released next March from New City Community Press and distributed by my friends at Temple University Press.  It will be illustrated by my husband, William Sulit, who also designed the book's cover, revealed for the first time here; for a glimpse of interior art, go here and for more of Bill's art, go here.  In January, Egmont USA will release the paperback of Dangerous Neighbors, with my teacher's guide bound in (the starred PW review of Dangerous Neighbors can be found here.).  It is my great hope, then, that the two books will make their way into the homes and hearts of Philadelphians and others.  There are some other fun developments in regards to this project, but I will save them for later.  For now, my great thanks to Micah, to Steve, to Gary, to Egmont USA for the paperback, and to Amy Rennert, my agent, for stitching the innumerable parts of my crazy dreams together.

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FLOW, my river book, earns its keep

Monday, April 9, 2012

It's always a little bit of a thrill when one of your books earns out its advance.  Today I received a royalty check for FLOW, my Schuylkill River book. It isn't huge (see?). But it does remind me of the power inherent in fighting for a book in which you absolutely believe.  Thank you, Micah Kleit, Gary Kramer, and Temple University Press for taking a risk with a book that remains very close to my heart.

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Fond Farewell

Friday, August 8, 2008

There are those in this world who make us better people. Our children, who ask the truest questions and who watch to see who we actually are, what we actually believe in, what we actually do in times of tension or stress. Our friends (and agents, when we're so blessed) who insist on honesty. Our neighbors, with whom we share the news...and the sugar. That guy who teaches the samba and who says, after five weeks of struggle, "You are becoming a samba dancer, Beth. You are finally hearing the music."

For those of us who write, there are editors, and I'd have been nowhere fast without mine. My very first was an editorial board at the literary magazine, Iowa Woman, which gave me three chances to improve an essay I'd titled "Pearl," about a lost heirloom necklace. In books, Alane Mason at Norton helped draw essential, delineating lines in a collaboration that extended over the course of three memoirs and left me with a treasured real-world friendship. At New World Library, Georgia Hughes, a California editor, embraced Ghosts in the Garden, a book about a Pennsylvania garden (and garden walker), and helped elevate it to the universal. At Temple University Press, Micah Kleit took a chance on a whole new category of book, Flow: The Life and Times of Philadelphia's Schuylkill River, and slyly (so slyly he might have thought I didn't notice) helped me relieve it of its extra weight. At Berrett-Kohler, Johanna Vondeling helped turn an inverted, fantastical fairytale called Zenobia into something a bit more straightforward (and therefore more meaningful).

So that I come now to Laura Geringer of HarperCollins Children's Books, who has had her own fabulously successful imprint there for the past 17 years and who sold an astonishing 50-million books plus during that time. Laura wrote me a letter a few years ago—reached out and made a suggestion that we work together on novels for teens. It took us more than a year to figure out just what we should be working on, and then it happened—a collaboration that for me was both joyous and rewarding and that resulted in Undercover, House of Dance, and the soon-to-come Nothing but Ghosts and The Heart is Not a Size. Laura lived those books from the inside; she helped me imagine them more fully. She said, "It's your book, and we'll publish it as you wish, but perhaps you'll consider...."

I always considered. And the books are so much better for her many provocations and long and always literary emails.

Yesterday I learned that Laura is leaving her imprint to pursue her own writing, to explore digital storytelling, and to work with a favorite charity, First Book. I felt sad, of course—no one wants a partnership to end. But who among us would ever stop a friend from living her dream?

A fond farewell to Laura then. Books on my shelf that I'm proud of, thanks to her.

A thank you to Jill Santopolo, for the conversation, and for all the glorious bridging she does, even as she edits her own authors and writes her own books. (I will go to dinner with you, Jill, but you can forget right here right now about the mojitos and my dancing on any tables.)

And a thank you to Lisa Bishop who has posted a piece I wrote on revising Heart at that fabulous myspace HarperTeen site.

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=72210576&blogID=422296192

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