Showing posts with label Publishing Perspectives. Show all posts
Showing posts with label Publishing Perspectives. Show all posts

One Thing Stolen in a storefront in Florence, Italy, where it all began

Wednesday, April 22, 2015

A happy sight this morning—an image of One Thing Stolen in the window of Paperback Exchange, the Anglo-American bookstore in Florence, Italy, where some of the original research for this book took place in the form of interviews with the shop's owners, Maurizio Panichi and Emily Rosner. 

I had gone to the shop in October 2012 in order to write a story titled "Florence's Timeless Bookstore for Expats and Travelers" (Publishing Perspectives). I soon found myself engaged in a conversation about the 1966 flooding of the Arno and the work of the Mud Angels, for Maurizio had played an important role during that terrifying time. Soon thereafter Emily and I became friends. Emily answered questions about Italian and about history as I worked through many drafts. She told me tales about her life. And she was one of the very first readers of this book, sending me a series of encouraging notes while I was traveling by train—just when I needed them most.

Today Emily posted this picture on Facebook. I'm stealing it for my blog, in Nadia fashion.

Thank you, Emily. For all of it.

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When YA and A are valued equally, with thanks to Main Line Today and Main Point Books

Monday, May 19, 2014

Anybody who knows me knows how I feel about labels. Applied to people. Applied to literature.

Still, those of us who write young adult fiction must, at times, face those who suggest that it is a lesser form, not nearly as important as the work written expressly for adults—a problem I discussed in a story for Publishing Perspectives titled, "Removing the YA Label: A Proposal, A Fantasy."

(Those of us who write quote-unquote literary contemporary YA fiction must also endure the suggestion that John Green has singlehandedly ushered in this genre's golden era, but that's a topic for another conversation, and we must be careful not to blame John Green for what is written about him.)

The problem with the YA-is-lesser assessment is that the YA writers I respect aren't writing down, aren't writing in haste, aren't writing with any less literary ambition than those who write novels for adults. We're just writing stories that happen to have younger protagonists at their heart; often we're writing "whole family" tales. Always, if we're serious about this stuff, if we're writing not toward known trends but toward felt story, we're writing as best as we can.

And so I will admit to feeling equal measures of joy and peace at finding Going Over on the Main Line Today list of 10 great beach reads by local authors. Not 10 YA books. Just ten books by authors ranging from Robin Black and Jennifer Weiner to Kelly Corrigan and Ken Kalfus. Ten books curated by Cathy Feibach of Main Point Books, who has made it her business, in this, the first year of her store's existence, to get to know who is writing what and to evaluate each book on its own terms.

I am honored. And I am looking forward to next Saturday, when I will drive down Lancaster Avenue and stop in Bryn Mawr and spend an hour signing both Going Over and Handling the Truth: On the Writing of Memoir in Cathy's store. My signing caps a full day of signings, the details for which are here. And when I'm not signing, you can be sure that I'll be buying the books I want, seeing straight past their labels.


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in Publishing Perspectives: literary snacks at a Philadelphia high school

Thursday, May 15, 2014

Last week I wrote here of a new initiative in my city—a chapbook vending machine soon to be installed at Science Leadership Academy, a magnet high school created in 2006 in partnership with the Franklin Institute.

The chapbook vending machine is the brain child of the independent The Head and The Hand Press—and part of a literary project initiated by two of the school's sophomores.

Today Publishing Perspectives shares my story about this intriguing turn of events—and reminds YA authors everywhere that submissions are still open for chapbook stories.

Read the whole story here.

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A World Without Walls? and A Most Generous Launch of the Going Over Blog Tour

Monday, March 31, 2014

This is the 25th anniversary year of the fall of the Berlin Wall—an anniversary that is being commemorated with lights, balloons, exhibitions, proposals of hope. And yet, in so many places, for so many different reasons, we remain a world divided.

I write of those contradictions, those residual fears, in today's Publishing Perspectives, in a piece that begins like this:
We live in a world of infinite gradations and restless infiltrations. We live in a world of checkpoints, watchtowers, walls. We are free to go, or we are not. We are here, but never entirely there. We are fenced in or fenced out. We are on the move (some 232 million around the world left one country for another in 2013, according to the United Nations Department of Economic and Social Affairs) or we are hunkered down—stuck—behind a fortress of distance-making words: “Aliens.” “Illegals.”

We are global.

We are divided.

... and continues here.

My hope, today, is that you'll find time to read this piece and, if you are so moved, to share it.

My hope, too, is that you will send Miss Serena Agusto-Cox, most faithful and intelligent reader and writer, all kinds of yellow-tulip thoughts, for she has written such kind words about Going Over and soft launched the blog tour with all kinds of goodies, including the offer of a free book to one reader. You can find the whole thing here. I share, below, Serena's final words about the book:
Kephart’s Going Over is stunning, and like the punk rock of the 80s, it strives to stir the pot, make readers think, and evoke togetherness, love, and even heartbreak — there are lessons in each.
 Thank you.

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Reflecting on Here/There Memoirs in Today's Publishing Perspectives

Friday, July 26, 2013

Today in Publishing Perspectives, a digital magazine about the international world of books, I'm reflecting on a sub-species of memoir I like to think of as Cross-Border memoirs, or Here/There memoirs.

I kick the piece off with thoughts about the great Michael Ondaatje's indispensable Running in the Family, then move on—toward Edwidge Danticat, Anthony Shadid, and Sophia Al-Maria.

The heart of the piece is here, below. The whole can be found here. So many thanks to Ed Nawotka for giving me room to think out loud.

More about memoirs I love, memoir exercises, and Handling the Truth can be found here.
All memoirists travel across the accordion folds of synapses and time. Border-crossing memoirists additionally move back and forth across space — past signposts, over deckled landmasses, into new weather, toward the science of geomorphology. Their points of view are duality inflected. Their vocabularies are exotic and hued. Their ideas about home are perforated and embellished by contrasts, contradictions, and corporeal compromise.
Finally, on a related (sort of matter), I will be in Alexandria, VA, this weekend at Hooray for Books, with the phenomenal Debbie Levy, whose work crosses many borders. We begin at 3:30. Readers and writers are both welcome. We're going to be talking about international books, and about truth and fiction and the line between. Many thanks to Serena, who is helping to spread the word, here

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Asunder/Chloe Aridjis: Reflections (and a celebration of Lauren Wein)

Sunday, May 26, 2013


Long-time readers of this blog may well remember the day I found and fell in love with Chloe Aridjis's first novel, Book of Clouds. It was a penetrable strange. It vibed mystique. It was Berlin wrapped in the gauze of supernatural weather and smoldering Hitler fumes.

Book of Clouds served as a reminder that novels don't need a category—or easy flap copy—to succeed. It also introduced me to the book's editor, Lauren Wein, whose books have consistently thrilled me and whose friendship is one those things I treasure most in my writing life. I profiled Lauren here, in Publishing Perspectives. She has a remarkable vision and a portfolio of edited books that is essentially unrivaled in the adult publishing world. She chooses, edits, fights for, and nurtures the unobvious—the sort of stories that many a mainstream editor overlooks, the sort of titles that go on to win prizes. (Book of Clouds won the Prix du Premier Roman Etranger in France.) Lauren's titles are written by authors who take their time, who fold in and across multiple themes, who have something to say. Novels as saturations. Novels as spills of the imagination.

Last week, Lauren sent me two of her newest titles, one of which was Asunder, Aridjis's second book. Already released in the United Kingdom, boxed with a star from Publishers Weekly ("stunningly good novel," they called it, also "brilliant"), Asunder is even better than Clouds—more self assured, more seductively strange, more cohering. I read it in a day, my breath held, my thoughts streaming: Can she pull this off, she is pulling this off, she has pulled this off, until I closed the book and pumped my fist, victory style. Chloe Aridjis wields enormous intelligence and knowing in this story about an art museum guard named Marie. She folds history in—a 1914 attack on a Velazquez painting by an angry suffragette. She teaches craquelure—the slow decomposition of paintings over time. She studies the art one might make and hold and the art one must never touch. She creates distance and broaches it. She yields men and women together, and apart. She writes magnificently, like this:
After we'd made ourselves a quick cup of tea from a little tray, we set out. By then dusk had turned into an empty-handed magician who kept a few paces ahead of us, snuffing out the streets seconds before we reached them, robbing us of the sights we'd come to see. One by one, the lights in shop windows were switched off, cafe tables and chairs brought in, postcard racks folded up. 
Look, I loved this book. What more can I say?

Asunder is due out in September from Houghton Mifflin Harcourt.

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My friends, my son, Patricia McCormick, Jan Shaeffer, my brother, Philadelphia: the day that was

Thursday, May 9, 2013


Yesterday: Work on a new client project—a wonderful new client project. I needed to be very still, and think. And then the kind surprise of the Armchair BEA nomination, which had me laughing over the preposterous oddness of it, and so grateful for the support of friends. And then a run to the train station beneath rain clouds, a serendipitous conversation with the poet Catherine Staples (now releasing her first book), a rainbow over the city, and a dash to the University of Pennsylvania campus, to return a nearly overdue book. The campus was as quiet as I had ever seen it. The only noise the noise of reunion tents being hammered into place.

From the campus I flew beneath blue-ing skies down Walnut Street to Tavern on the Green, the bar where my son placed his bets on the college basketball tournament several weeks ago. That son, whose actual job involves making very smart decisions about things that can't be entirely predicted, happened to win. Guessed every outcome correctly, earning the prize of $250, three crisp bills that had to be collected in person. Since this boy is now a New Yorker, the collection privilege was all mine. I slipped down the Tavern stairs (breathless and damp). Announced my intention. "I am J's mother," I said—the most important thing I'll ever be, no matter how old he insists on becoming. I was rewarded with an envelope that I will hand deliver this weekend when I see my handsome, so happy son.

But I digress. For now I was running again, back up Walnut, and north, to a restaurant my friend Jan Shaeffer had recommended, a place called A Kitchen. Jan, I'd said, a really important and wonderful person is coming to town and it's so necessary that we meet at the right place.

(Jan, who leads St. Christopher's Foundation for Children, knows EVERYthing, and I often ask her to tell me more.)

Jan, you were right. The meal was innovative; it was perfection. And the company—well, how do I even talk about Patricia McCormick, who is gorgeous inside and out. Greatness is only partially what someone can do, what someone has produced, and anyone who has read this blog, or listened to me talk, or read my Publishing Perspectives interview with Patty, or read my New York Times review of Joyce Carol Oates' new book (where of course I talked about Patty), knows that I think Patty's work spells greatness, that I think her work endures. But even if Patty had never written or published a word, her greatness would be transparent. She is breadth and depth. She asks, and she listens. She stands beneath the dark skies, shining. She leaves you slightly off balance.

To the skies that drizzled, then cleared. To rainbows. And to my brother, with whom I spoke by phone while watching the trains glide by ahead of midnight.

This afternoon I'll be honoring another friend, the very important Mike Yasick, whose red pants and enormity of soul I remembered here. We lost Mike far too soon in March, and this evening he is being honored by his former employer (and my client) Shire at the Boys and Girls Clubs of Philadelphia's Winemaker's Dinner. The Mike Yasick Literacy Center at the Shane Victorino Nicetown Boys and Girls Club is being inaugurated this evening. I am bringing every YA book I've ever written, and signing them to Mike.

In perpetuity.


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2013 NYC Teen Author Festival

Friday, February 8, 2013

A few days before I left for a research trip to Florence, Italy, I spent this Friday evening at Children's Book World with David Levithan. Of course he is a legend. Of course I'd read many of his books. Of course I'd seen him charm and challenge at a Publishing Perspectives conference. But I hadn't met him in person until that evening, hadn't seen his fabled generosity at work until, at this group session with my friend Jennifer Hubbard, Ellen Hopkins, and Eliot Schrefer, I watched as he put others on his stage.

Because, in addition to writing bestselling, critically acclaimed books alone and with others, in addition to finding, editing, and believing in some of the most popular young adult books of our time, in addition to being a spokesperson for the possible in literature, David Levithan time and again puts others on his stage. Inviting rising young adult authors to appear with him when he is launching his own books. Serving as a moderator while established young adult authors speak. And spending who knows how many hours putting together what has become a phenomenon: the NYC Teen Author Festival.

He might have written an entirely new book, I imagine. But he spent time doing this. Over ninety authors from over a dozen publishers, over seven days, to quote David. And we're all hoping that you will both attend and help spread word.

I'll be whisking away from my Penn teaching/corporate world for the "mega signing" at Books of Wonder on March 24, when I'll remember what it is to be an author again. I've got my fingers crossed that you'll be there.

And while you are waiting for this fab event, pre-order David's upcoming book, coauthored with Andrea Creamer and edited by my friend Jill Santopolo for that wonderful house, Philomel. It's a really, truly excellent book. How excellent? Read here.

2013 NYC Teen Author Festival

http://www.facebook.com/NYCTeenAuthorFestival
<http://www.facebook.com/NYCTeenAuthorFestival>

Monday, March 18  (Mulberry Street Branch of the NYPL, 10 Jersey Street b/w Mulberry and Lafayette, 6-8):   

I’ll Take You There:  A Change of Scenery, A Change of Self

Description:  In their recent books, each of these authors have plunged their teen characters into new places as a way of revealing their true selves.  We’ll talk about this YA journey narrative – where it comes from, and what it can lead to.

Gayle Forman
Kristen-Paige Madonia
Bennett Madison
Jennifer E. Smith
Melissa Walker

moderator: David Levithan


Tuesday, March 19  (WORD Bookstore,  7-8:30, 126 Franklin St, Greenpoint):

The Only Way Out is Through:  Engaging Truth through YA

Description:  Pain. Confusion. Loss. Mistakes. Revelation. More mistakes. Recovery.  One of the things that makes YA work is its desire to engage the messy truths of both adolescence and life in general.  Here we talk about what it’s like to engage this messy truth, and how to craft it into a story with some kind of form. 

Crissa Chappell
Tim Decker
Ellen Hopkins
Amy McNamara
Jessica Verdi

moderator: David Levithan


Wednesday. March 20 (42nd St NYPL, South Court room, 6-8): 

Imagination: A Conversation

Description:  It’s a given that authors’ minds are very strange, wonderful, twisted, illogical, inventive places.  Here we talk to five rather imaginative authors about how they conjure the worlds in their books and the stories that they tell, along with glimpses of the strange and wonderful worlds they are creating at the present.

Holly Black
Lev Grossman
Michelle Hodkin
Alaya Johnson
Robin Wasserman

moderators:  David Levithan and Chris Shoemaker
                       

Thursday, March 21:
SOHO Teen night, 6-9pm (Books of Wonder, 18 W18th St)

Celebrate the launch of SOHO Teen, featuring readings by Jacquelyn Mitchard, Joy Preble, Margaux Froley, Elizabeth Kiem, Heather Terrell & Ricardo Cortés, and Lisa & Laura Roecker.

                       

Friday March 22, Symposium (42nd Street NYPL, Berger Forum, 2nd floor, 2-6)

2:00 – Introduction

2:10-3:00: He Said, She Said

Description:  Not to be too mysterious, but I will email these authors separately about what I’m thinking for this.

He:
Ted Goeglein
Gordon Korman
Lucas Klauss
Michael Northrop

She:
Susane Colasanti
E. Lockhart
Carolyn Mackler
Sarah Mlynowski
Leila Sales

moderator:  David Levithan


3:00-4:00:  Taking a Turn: YA Characters Dealing with Bad and Unexpected Choices

Description:  In each of these authors’ novels, the main character’s life takes an unexpected twist.  Sometimes this is because of a bad choice.  Sometimes this is because of a secret revealed.  And sometimes it doesn’t feel like a choice at all, but rather a reaction.  We’ll talk about following these characters as they make these choices – both good and bad. Will include brief readings illuminating these choices.

Caela Carter
Eireann Corrigan
Alissa Grosso
Terra Elan McVoy
Jacquelyn Mitchard
Elizabeth Scott
K. M. Walton

moderator:  Aaron Hartzler


4:00-4:10:  Break

4:10-4:40:  That’s So Nineteenth Century

Description:  A Conversation About Playing with 19th Century Archetypes in the 21st Century

Sharon Cameron
Leanna Renee Hieber
Stephanie Strohm
Suzanne Weyn

Moderator:  Sarah Beth Durst


4:40-5:30:  Alternate World vs. Imaginary World

Description:  Of these authors, some have written stories involving alternate or parallel versions of our world, some have made up imaginary worlds for their characters, and still others have written books that do each.  We’ll discuss the decision to either connect the world of a book to our world, or to take it out of the historical context of our world.  How do each strategies help in telling story and developing character?  Is one easier than the other? Is the stepping off point always reality, or can it sometimes be another fictional world?

Sarah Beth Durst
Jeff Hirsch
Emmy Laybourne
Lauren Miller
E. C. Myers
Diana Peterfreund
Mary Thompson

Moderator:  Chris Shoemaker


Friday March 22, Barnes & Noble Reader’s Theater/Signing (Union Square B&N, 33 E 17th St, 7-8:30)

Eireann Corrigan
Elizabeth Eulberg
Jeff Hirsch
David Levithan
Rainbow Rowell
Nova Ren Suma

Saturday March 23, Symposium (42nd Street NYPL,  Bergen Forum, 2nd Floor, 1-5)

1:00 – Introduction

1:10-2:10 – Defying Description:  Tackling the Many Facets of Identity in YA

Description:  As YA literature evolves, there is more of an acknowledgment of the many facets that go into a teenager’s identity, and even categories that once seemed absolute now have more nuance.  Focusing particularly, but not exclusively, on LGBTQ characters and their depiction, we’ll discuss the complexities about writing about such a complex experience.

Marissa Calin
Emily Danforth
Aaron Hartzler
A.S. King
Jacqueline Woodson

moderator:  David Levithan


2:10-2:40 -- New Voices Spotlight

Description:  Each debut author will share a five-minute reading from her or his work

J. J. Howard
Kimberly Sabatini
Tiffany Schmidt
Greg Takoudes


2:40-3:30 – Under Many Influences: Shaping Identity When You’re a Teen Girl

Description: Being a teen girl is to be under many influences – friends, parents, siblings, teachers, favorite bands, favorite boys, favorite web sites.  These authors will talk about the influences that each of their main characters tap into – and then talk about what influences them as writers when they shape these characters.

Jen Calonita
Deborah Heiligman
Hilary Weisman Graham
Kody Keplinger
Amy Spalding
Katie Sise
Kathryn Williams

moderator:  Terra Elan McVoy

3:30-3:40 – Break

3:40-4:20 – Born This Way: Nature, Nurture, and Paranormalcy

Description:  Paranormal and supernatural fiction for teens constantly wrestles with issues of identity and the origin of identity.  Whether their characters are born “different” or come into their powers over time, each of these authors uses the supernatural as a way to explore the nature of self.  

Jessica Brody
Gina Damico
Maya Gold
Alexandra Monir
Lindsay Ribar
Jeri Smith-Ready
Jessica Spotswood

moderator:  Adrienne Maria Vrettos


4:20-5:00 – The Next Big Thing

Description:  Again, not to be too mysterious, but I will email these authors separately about what I’m thinking for this.

Jocelyn Davies
Leanna Renee Hieber
Barry Lyga
Maryrose Wood


Saturday March 23:  Mutual Admiration Society reading at McNally Jackson (McNally Jackson, Prince Street, 7-8:30): 

Sharon Cameron
A.S. King
Michael Northrop
Diana Peterfreund
Victoria Schwab
Nova Ren Suma

hosted by David Levithan


Sunday March 24:  Our No-Foolin’ Mega-Signing at Books of Wonder (Books of Wonder, 1-4): 

1-1:45:
Jessica Brody  (Unremembered, Macmillan)                         
Marisa Calin  (Between You and Me, Bloomsbury)             
Jen Calonita  (The Grass is Always Greener, LB)                 
Sharon Cameron  (The Dark Unwinding, Scholastic)                       
Caela Carter  (Me, Him, Them, and It, Bloomsbury)            
Crissa Chappell  (Narc, Flux)             
Susane Colasanti  (Keep Holding On, Penguin)                                
Zoraida Cordova  (The Vicious Deep, Sourcebooks)                        
Gina Damico   (Scorch, HMH)                                  
Jocelyn Davies  (A Fractured Light, HC)                  
Sarah Beth Durst  (Vessel, S&S)                               
Gayle Forman  (Just One Day, Penguin)
Elizabeth Scott  (Miracle, S&S)         


1:45-2:30                   
T. M. Goeglein (Cold Fury, Penguin)                                    
Hilary Weisman Graham (Reunited, S&S)                                                                            
Alissa Grosso  (Ferocity Summer, Flux)                                
Aaron Hartzler  (Rapture Practice, LB)         
Deborah Heiligman  (Intentions, RH)                       
Leanna Renee Hieber  (The Twisted Tragedy of Miss Natalie Stewart, Sourcebooks)         
Jeff Hirsch  (Magisterium, Scholastic)                       
J. J. Howard  (That Time I Joined the Circus, Scholastic)                 
Alaya Johnson   (The Summer Prince, Scholastic)     
Beth Kephart (Small Damages, Penguin)                              
Kody Keplinger  (A Midsummer’s Nightmare, LB)

2:30-3:15                   
A.S. King  (Ask the Passengers, LB)                                    
Emmy Laybourne  (Monument 14, Macmillan)                                 
David Levithan  (Every Day, RH)    
Barry Lyga  (Yesterday Again, Scholastic)                           
Brian Meehl  (Suck it Up and Die, RH)                                
Alexandra Monir (Timekeeper, RH)  
Michael Northrop  (Rotten, Scholastic)                     
Diana Peterfreund  (For Darkness Shows the Stars, HC)                 
Lindsay Ribar (The Art of Wishing, Penguin)                      
Rainbow Rowell  (Eleanor & Park, St. Martin’s)                  
Kimberly Sabatini  (Touching the Surface, S&S)                  
Tiffany Schmidt  (Send Me a Sign, Bloomsbury)

3:15-4:00                   
Victoria Schwab  (The Archived, Hyperion) 
Jeri Smith-Ready  (Shine, S&S)
Amy Spalding  (The Reece Malcolm List, Entangled)                      
Stephanie Strohm  (Pilgrims Don’t Wear Pink, HMH)                     
Nova Ren Suma  (17 & Gone, Penguin)                    
Greg Takoudes  (When We Wuz Famous, Macmillan)         
Mary Thompson  (Wuftoom, HMH) 
Jess Verdi  (My Life After Now, Sourcebooks)                                            
K.M. Walton  (Empty, S&S) 
Suzanne Weyn  (Dr. Frankenstein’s Daughters, Scholastic)                         
Kathryn Williams  (Pizza, Love, and Other Stuff That Made Me Famous, Macmillan)                   
 
 



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Small Damages: a book, and a cover, blessed

Friday, November 30, 2012

And so, in this week of breathtaking kindness, I want to thank some special people for throwing light my way.

Ed Nawotka, for inviting me to give the keynote address at the Publishing Perspectives conference and for subsequently running the talk today on the Publishing Perspectives site.  To all of you have retweeted the talk, thank you.

Jen Doll, for including Small Damages as one of the top 25 book covers here, on the Atlantic Wire, and for making this the year to remember with her New York Times Book Review thoughts about the book last July.

The YALSA folks for naming Small Damages to the BFYA list.

CMRLS Teen Scene for putting Small Damages on the Printz watch.

A.A. Omer, for giving Small Damages this glorious five-star review.

My friends, old and new, for being there.  My agent, Amy Rennert, for her enthusiasm.  And while this has absolutely nothing to do with Small Damages, a huge thanks to the Gotham team for being so wholly supportive of Handling the Truth, a book due out next August.  I will do everything in my power to earn your faith in me.

My father, for buying a copy of Small Damages, and making a go of reading it, even though it's not exactly this history lover's kind of book.

I have been in the book business a very long time.  I will hold onto these gifts, in memory, for the rest of my life.

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Lamp Lighters and Seed Sowers: Tomorrow's YA: the keynote address, in full

I was so grateful for the opportunity to give the keynote address at the Publishing Perspectives Conference, YA: What's Next, held at the hospitable Scholastic auditorium in New York City this past Wednesday.

Today the fine folks at Publishing Perspectives share the text in full, along with the illustrations by William R. Sulit.  These illustrations were modeled with 3D software, all with the exception of the beautiful face and hands, which belong to my niece (daughter of my famous I Triple E brother), Miranda.

In her keynote address from the YA: What’s Next? publishing conference, author Beth Kephart makes an impassioned case for YA books that are heartfelt, authentic and empowering.......

(Just added:  gratitude for a week of kindness toward Small Damages.)

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My conversation with Dan Weiss, Publisher-at-Large at St. Martin's Press (in Publishing Perspectives)

Monday, November 26, 2012

Dan Weiss, publisher-at-large at St. Martin's Press, kindly answered my questions a few weeks ago for this story in Publishing Perspectives.  With a career that began as a comic book editor, included leadership of both Scholastic's Teen Age Book Club and SparkNotes, and now focuses on books for the Gen Y crowd, Dan has stretched boundaries and redefined terms.

Our conversation can be found here.

Dan Weiss will be appearing at the YA: What's Next? conference, scheduled for this coming Wednesday in the Scholastic building in New York City.  Tickets are still available.

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Lamp Lighters and Seed Sowers: Tomorrow's YA (keynote address for Publishing Perspectives Conference: YA: What's Next?)

Sunday, November 25, 2012


I'm honored to be giving the keynote address at the upcoming Publishing Perspectives Conference, "YA: What's Next?," which will be held this coming Wednesday in the Scholastic Building in New York City.

My talk, "Lamp Lighters and Seed Sowers: Tomorrow's YA," will feature illustrations by my husband-collaborator, William R. Sulit.  These images have been modeled with 3-D software and amplified by small human interventions, including the lovely "real" hand shown here, which was donated to the cause by my niece, Miranda.

If any of you wish to attend this half-day event—which will feature Ellie Berger, Carl Kulo, David Levithan, Eliot Schrefer, Mara Anastas, Jennifer Brown, Andrew Losowsky, and many more—let me know.  I might just have a discount coupon for you.

Opening words from my talk:


In the days following the colossal storm called Sandy, stories held us captive, terrifying aerial views, the news that began to leak in from friends.  Trash bags strapped on like shiny boots, brand-new adults walked through rising fumes and fresh flotsam, looking for signs of ordinary life.  Heartbroken by saturated eggplants and devastated garden fruits, they crouched to gather seeds.  Asking What can we do?, they collected blankets, baked tins of lasagna, emptied their personal libraries of books and took their spontaneous gifts into darkened neighborhoods.  Meanwhile, the 19-year-old Rutgers student who lost both her parents to a capsized tree and will now raise three younger siblings on her own, was reaching into some impossible well of suddenly-now-adultness to help others suffering the ravages of weather.

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My husband's art goes 3D

Thursday, November 15, 2012

From time to time I energize this little lit blog with images crafted by my husband.  It makes me happy.  His work is good.

I have, for example, provided a reveal of Dr. Radway's Sarsaparilla Resolvent, my 1871 Philadelphia book (forthcoming in March) for which my husband both provided a dozen interior illustrations and the wonderful cover art.

I have showcased sample spreads from Zenobia: The Curious Book of Business, the corporate fable on which we collaborated with Matthew Emmens; this Alice in Wonderlandish exercise in strangeness and delight sold to a dozen countries worldwide.

I have offered my thoughts on Ghosts in the Garden, the coming-into-middle-age Chanticleer garden book my husband brought to life with black-and-white photographs. 

I have shared those stunning photographs of ballroom friends, transported into and transfigured by imaginary spaces (fun fact:  two of those stunning dancers are now appearing in the new Bradley Cooper movie, "The Silver Lining Handbook," based on the novel by Matthew Quick).

Then there was the fabulous William Sulit art that accompanied my review of Tina Fey's Bossypants

Today I'm posting new work by Bill—a three-dimensional model that he created with ZBrush modeling software (the first image above is the illustration) before sending that art to Shapeways, a manufacturer capable of converting illustrations into three-D sculpture in a variety of materials (the second and third images depict the cute and surprisingly weighty sculpture that arrived by post yesterday—it's a few inches high by a few inches wide; it feels like pottery in your hand; the egg is pure photo prop and will be my breakfast tomorrow).  For reasons known only to him, Bill decided to produce a chicken; I hope he wasn't inspired by my reaction to recent gum graft surgery.  We're thinking these sculptures—which can be erupt from anything Bill decides to draw and 3-dimensionalize—are potential rich.

If you want to know more, just ask me (and then I'll ask him).  In the meantime, he's back in that studio fortress of his, developing images for my upcoming keynote address at the Publishing Perspectives conference.  I am hoping there will be no chickens. 

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I'll be keynoting at the Publishing Perspectives YA: What's Next Conference

Tuesday, November 13, 2012

I'll keep this short, because it's one of those days, and because sometimes the headline is the story.

Ed Nawotka, editor-in-chief of Publishing Perspectives, has just shared the news that I'll be delivering the keynote address at the upcoming Publishing Perspectives conference.  The date is November 28.  The hour is 9 AM.  The place is the Scholastic headquarters, which recently hosted Taylor Swift, among other greats.  The attire is whatever I choose to wear and whichever pair of shoes I feel can walk me through Manhattan at that hour.

I will also be moderating a panel. 

I've written about this well-orchestrated event at other times, most recently here. I am hopeful that those of you who are interested in the future of children's literature and who want to hear from industry leaders such as Aimee Friedman (Scholastic Trade), Dan Weiss (St. Martin's Press), Mara Anastas (Pulse/Simon & Schuster), Stacy Lellos (Scholastic Trade), Andrew Losowsky (Huffington Post), Jennifer Brown (Shelf Awareness), Doris Janhsen (Oetinger, Germany), Larissa Faw (Your Markets Alert), Francine Lucidon (The Voracious Reader Bookstore), David Levithan (Scholastic/Author), Eliot Schrefer (NBA nominated author), and others will attend.  It will be, I promise, a good time.

More information here.


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celebrating one of the great independent bookstores of Italy (in Florence)

Friday, November 9, 2012

Just before I left for Florence, Ed Nawotka, editor-in-chief of Publishing Perspectives and bold instigator of the upcoming YA: What's Next conference (mark your calenders for November 28; I'll be there moderating), asked if I might stop by a Florentine bookstore and find out what is happening among Italian and expat readers, and the brave proprietors who cater to them.  "Sure," I said, not at all certain that I'd find the proper spot or willing participants.  But that's just the kind of fearless reporter I am.

From the moment we deboarded at Santa Maria Novella, I was on the hunt.  Three days into my trip I'd chosen my store—the Paperback Exchange, located in the shadows of the Duomo.  Here was a store owned by an American-born woman and her Italian husband that catered to a special kind of readership and bowed to no one's dictates.  I spent parts of two mornings in the store interviewing and taking photographs and continued the conversation online.

My story, which runs today and can be found here, begins like this:

FLORENCE: I wanted to walk where Dante might have walked, wanted to stand where Michelangelo, Brunelleschi, Donatello, Masaccio, Uccello, and Ghiberti might have stood, wanted to make a visit to Galileo’s tomb, and so I went to Florence. I found the rare alleys the tour guides neglected, the time-burnished side-street churches, the sun-wedged cloisters that are, miraculously, silent. I ate where the real Florentines eat and photographed the city at dawn and then again at midnight, when it was most like itself, or, at least, most like I had imagined it would be. Fewer umbrella-led tours. More room to breathe.

And then I set out for one of the best-loved Anglo-American bookstores in all of Italy — Paperback Exchange, just off the Piazza del Duomo — to find out what people like me read when visiting or living in a city like Florence. There I found owners, Emily Rosner (of New York) and her husband Maurizio Panichi (a Florentine), who have been trading in books and real conversation since 1979.


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Returning to New York City for the Publishing Perspectives YA: What's Next Conference

Monday, November 5, 2012

We have felt—we still feel—paralyzed by the storm.  Those of us who love New York City and the Jersey Shore, those with friends in Connecticut and south, have watched the news and wondered about how those affected will survive the immediate flood waters and losses, and about how we, entrusted with this world, will somehow correct the devastating weather course we are on.  We have thought about those who died in the terror of the moment.

Shortly before the storm hit, I was invited by Dennis Abrams to return to New York City on November 28th for the second Publishing Perspectives conference, this one titled:  "YA: What's Next."  I said yes in a second (ask Dennis).  The first Publishing Perspectives conference was so well conducted, so informative and classy, that it is a thrill to return, this time as a panel moderator, to that Scholastic stage, where Taylor Swift sat in her signature red not so long ago.

I am always grateful on those days when I travel to New York City.  I know I will feel especially grateful for the ground beneath my feet as I make my way to the Scholastic headquarters on Wednesday, November 28, for the half-day event (9 AM to 1 PM).

I'll be moderating the panel, "YA: What's Next," where I'll be joined by David Levithan (author and VP and Publisher at Scholastic Trade), Francine Lucidon (owner of The Voracious Reader Bookstore), and Eliot Schrefer (2012 National Book Award finalist).

The full slate of speakers can be found at the link here

Finally, thank you to Ed Nawotka, the editor-in-chief of Publishing Perspectives, who has published so many of my stories on people who matter in publishing—Ruta Sepetys, Tamra Tuller, Michael Green, Lauren Wein, Pamela Paul, Jennifer Brown, Vaddey Ratner, Alane Salierno Mason, Eric Hellman, among them.  Click here to read my most recent story, an interview with 2012 National Book Award finalist Patricia McCormick.


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My interview with Patricia McCormick, in Publishing Perspectives

Monday, October 29, 2012

On this dark and windy (and quite wet) day, I'm so proud to have my interview with Patricia McCormick featured in Publishing Perspectives.  Patty, newly and justly nominated for the National Book Award for Never Fall Down, talks here about the making of this incredibly important book.  The interview begins like this, below, and can be read in its entirety here.  I interviewed Patty long before her book was nominated, by the way.  I just had a feeling.

Anyone who confuses young adult literature with simple kids’ stuff has not read Patricia McCormick. A former journalist with an investigator’s eye and an astute sense of social justice, McCormick’s novels for younger readers have taken her into a residential treatment center (Cut), the harrowing world of sexual slavery in India (Sold), the Iraq War (Purple Heart), and the killing fields of Cambodia (Never Fall Down).  McCormick wants us to know; she wants us to see.  She wants to teach us something about this world, but she is no sermonizer.  She’s a poet, in fact, this Patricia McCormick, writing of split worlds with lacerating precision, daring prose, and devastating beauty.

McCormick’s most recent book, the National Book Award finalist Never Fall Down (Balzer + Bray/HarperCollins), is a collaboration — a novel inspired by the real life of Arn Chorn-Pond. Swept into the Khmer Rouge’s brutal reeducation program, separated from his family in a series of labor camps, and bullied into being someone he might have never imagined could exist, Arn nonetheless survives, thanks in part to his talent for music and his refusal to lay down and die. Arn does not emerge from the book as an innocent. His shame is palpable, his losses many. As his interviewer, friend, and fellow traveler, McCormick’s greatest gift to Arn is the gift she has always brought her readers—her faith in the truth.



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celebrating the wisdom of the 2012 National Book Award jurors

Wednesday, October 10, 2012

Sometimes book juries convene and read and talk and get things right, and this year the National Book Award judges cited three books that I loved for special recognition. 

I am eager to read all the books on all the lists this year.  But for now I want to celebrate the honoring of Patricia McCormick for her smart, powerful, daring Never Fall Down (my interview with Patty will soon run on Publishing Perspectives) and Eliot Schrefer for his important Endangered. 

In nonfiction, the remarkable House of Stone by Anthony Shadid is a most-deserving nominee.  I have highlighted (in this entry) my own thoughts about these books, from posts produced earlier this year. 

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Jenny Brown, our nation's ambassador for children's books, assumes new responsibilities at the Center for Children's Literature

Thursday, September 20, 2012

See that pretty lady up there?  The one beside the Olympian in purple (Kristi Yamaguchi)?  That is my friend, Jenny Brown, though if I claim her as my own friend this morning, it is not to negate her friendships with and toward the entire world of children's publishing.  Jenny has done it all in her publishing life—teacher, editor, mentor, reviewer, Twenty by Jenny-er, and (I like to call her this) crusader.  You most recently know her as the children's book editor of Shelf Awareness, but as of today you will also know her as the part-time Interim Director of the Center for Children's Literature at the Bank Street College of Education, a position which she describes as "an organic evolution of my work on the Children's Book Committee, where we read books together as reviewers, social workers, teachers, librarians, historians, and art directors." Jenny calls the Center a think tank and she will have an opportunity to play a big role in shaping the reading life of children.

Who could be better for this position?  No one.  Jenny loves good books, she loves the people who make them, she loves the people for whom good books are made.  She's also a very fine writer—and singer—as I found out when I interviewed her for Publishing Perspectives.  Here's that piece, in case you somehow (how could you?) missed it.

Congratulations, Jennifer M. Brown!

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The Fab Five (I feel like a Rock Star)

Wednesday, September 19, 2012

Today, another short note, a simple reminder:

I have the great privilege of joining David Levithan, Ellen Hopkins, Eliot Schrefer, and Jennifer Hubbard this coming Friday, 7 PM, at Children's Book World in Haverford, PA.  CBW is billing us as the Fab Five, and I have Philomel publicist (every author's dream publicist and my good friend) Jessica Shoffel to thank for making me Feel So Fab.

I hope that you will join us. The photograph above was taken during the Publishing Perspectives "What Makes a Children's Book Great?" conference held earlier this summer, where I had so much fun joining moderator Dennis Abrams on the author panel.  The smart and savvy notables from left to right are Roger Sutton (The Horn Book), Pamela Paul (New York Times), David Levithan (Scholastic editor and author phenom), and my good friend Jennifer Brown, a former school teacher, editor, reviewer, and jury panelist (not to mention head of children's books for Shelf Awareness) whom I always rightly refer to as this country's ambassador for children's books. 

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