Showing posts with label Jennifer Brown. Show all posts
Showing posts with label Jennifer Brown. Show all posts

NYC in 36 hours

Sunday, October 25, 2015









Some day I'll be too old for this. This insistence (within myself/for myself) that I live each minute, see each place, feel each thing I can find my way to.

But I'm not there yet. I'm still the woman who arrives mid-afternoon to New York City, checks into a hotel with her husband, and starts to walk. This time to the Columbia University campus, which I had never seen (that old library, now the administration building, soars). To the Cathedral Church of St. John the Divine. Past the fruit vendors on upper Broadway.

Then a subway ride to Columbus Circle and the Museum of Arts and Design (where an exquisite Wendell Castle show is in place). Then a walk-run (to the extent possible) through Times Square, and then more underground tunnels to the World Trade Center, where we were stopped by the power of those two pools, the remembered names, the roses and calla lilies left in respect and honor. Art can speak, and this art does—the down and the down of the water, the sound of that water, the return of the water, and the light behind the names.

It was the hour of the gloaming. The stone buildings burned red-orange inside the blue glass of the new tower, and that big Calatrava bird, soon to be the World Trade Center Transportation Center, was already soaring.

We walked a long length of Greenwich, then, met our son for dinner, watched him take off in an Uber for a date, made our way all the way back to 103rd Street, where all night long we listened to the trash trucks, the buses, the NYC talk just outside our window. I rose in the dark, put on a dress, and as soon as the sun was up I was walking again—finding a French bakery, buying an almond croissant, and working my way toward Central Park, where the early dog walkers were out and about and I could see the river just beyond them.

By 8:15 I was dancing with the extraordinary educator/advocator Susannah Richards in the lobby of Bank Street. Dancing, yes. I swear we danced. (Susannah is especially good at the twirls.) At Bank Street, a remarkable cast of writers, illustrators, educators, librarians, and book people were convening for what, in my book, is the best gathering of storytellers ever anywhere. Here the conversation circles around Thoughts as opposed to Marketing Platforms. The forum encourages conversation, consideration, a maybe this or a maybe that. This is hardly accidental. This reflects the good work of those who assemble this program, moderate the panels, conduct the keynote (thank you, Rita Williams-Garcia), and say yes. I bow down to you, oh Bank Street, with thanks especially to Jennifer Brown and Cynthia Weill, and then to my fellow panelists Daniel Jose Older and Tim Wynne-Jones—the three us led toward greater understanding about narrative risk by the exceptionally thoughtful questions of Vicki Smith of Kirkus Reviews. And with thanks to Chronicle Books, who said yes to the event.

When it was done, when I hugged my old and new friends goodbye, I was running again, to the subway, to the PATH, and toward my husband and son, where we walked some more, had an early dinner, and watched the lights of the World Trade Center blink on.

(Can I just thank here the little boy on the incredibly crowded train who must have read the panic of this claustrophobe on his face and said, "Miss? Do you want my seat?")

We drove home in the dark. I slept. I actually slept. The sleep of a satisfied woman.


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pushing narrative boundaries at the BankStreet Fest, with Tim Wynne-Jones and Daniel Jose Older

Sunday, September 27, 2015

A few months ago I received an invitation from one of my very favorite people in all of young people's literature, Jennifer Brown. If our friendship has evolved over time, my respect for Jenny was immediate. As a Shelf Awareness reviewer, prize adjudicator, discussion leader, Bank Street visionary, and all-around children's books advocate, Jenny's opinions have mattered. She has welded intelligence with kindness and become a force. Today she serves as vice president and publisher of Knopf Books for Young Readers at Random House Children's Books—a position that is such a perfect fit for her myriad talents (and soul) that one imagines it was waiting for her all along.

Before Jenny took on that new role, she designed the 2015 BookFest@Bank Street and extended the invitation I noted above. Featuring Rita Williams-Garcia in a keynote, the day will include insights from scholars and writers Leonard S. Marcus, Adam Gidwitz, Elizabeth Bluemle, Cynthia Weill, Christopher Myers, Shadra Strickland, Raul Colon, Sara Varon, Joe Rogers, Jr., Laura Amy Schlitz, Jeanne Birdsall, Kat Yeh, Liz Kessler, and Monica Edinger. BookFest will also feature a panel titled "Pushing Narrative Boundaries in Teen Literature," moderated by the reliably smart and provocative Vicky Smith, the reviews editor of Kirkus.

I'm thrilled to be joining Tim Wynne-Jones and Daniel Jose Older on that boundaries-pushing panel. I was thrilled even before I'd read their new novels, The Emperor of Any Place and Shadowshaper, respectively. But now, having spent the last few days immersed in both, I'm even more eager. This will be a conversation. The kind of conversation that I crave like I crave a perfect peach or a ripe Bartlett pear.

The Emperor of Any Place is a work of supreme art. A nested story within a story (and, one might suggest, within another story) that carries the reader in and out of history. There's the present-day reality of a teen named Evan who has lost his father and must now endure (within the knot of his grief) the arrival of his once-estranged grandfather. There is, as well, the story inside the book Evan's father was reading when he died—the diary of a Japanese soldier stranded on a small Pacific island during World War II. The soldier is not the sole inhabitant of that island, nor is he the only one who ultimately writes inside those diary pages. As Evan reads the book, many mysteries emerge. Why was his father obsessed with this story? Why is his grandfather obsessed, too? And what is the truth inside these diary pages that were annotated, later on, by another visitor to that island?

Emperor is grounded in the fear of war and the haze of solitude and the ingenuity of survivors, both contemporary and historic. It is wholly conceived and executed, yet it trembles with mystery and a touch of magic. It is brilliantly structured but its power does not rest on its conceit. Tim may have pushed the narrative boundaries but he has not taken a single short cut, not expected the readers to follow just because he's feverently hoped they will. Every element adds to every element here. There are rewards for those who ponder, and, indeed, you could ponder all day and never find a fault line in this complex novel's execution.

Shadowshaper casts its own marvelous spell, builds its own mystique, is the sort of original work you would expect from an author who is also a musician who is also an EMT who is also a commentator on social order and disorder. Daniel has built a book about a young girl who discovers within herself a legacy power—and who must learn to harness it for a greater good. Sierra Santiago is a painter who can see, within the art of others, shadow lives and shapes, art that fades, murals that shed real tears. She is a daughter and a granddaughter in pursuit of hidden grace. She chases, and she is being chased. She rises to the challenge.

Sierra does all this within language steeped in salsa rhythms and Brooklyn gaits. She does this while pondering the color of her skin, the explosive nature of her hair, the discrete borders inside the border lands of race. Daniel is not just weaving a magical story here. He is telling his readers something about how it feels to live today within the fractures of society. About how it is to hope, despite the noise of now.

Authors of books that break the rules must know, to begin with, what the prevailing rules have been. They have a special obligation to steer their projects toward a higher grace, so that the strange ultimately does collide with a deep emotional truth, so that the fiction feels real, so that the experience of reading the story goes beyond admiration and straight into embrace. Fiction comes from a human place. The best fiction elevates the idea of the humane.

We'll talk about this and much more, I'm sure, at Book Fest. I'll learn; I'm sure of that, too.

Registration information for Book Fest is here.




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on seeing Bill Cunningham in person (!!), silvered friendship, good news for my son, the Caldecott Panel

Saturday, November 8, 2014


There was no evidence of a bicycle, but Bill Cunningham, New York Times style photographer and the subject of this amazing documentary (watched here because Melissa Sarno gave me the word), was out among the nearly 200 craftspeople at the 38th Annual Philadelphia Museum of Art Contemporary Craft Show.

He just kept passing by—lanky and tipping up on his toes, camera in hand, a coy smile when someone called out, "Are you Bill Cunningham?" Oh, jeepers, his smile said, recognized again. He just kept looking and nodding, his presence electrifying the crowd. Bill Cunningham in Philadelphia. Yes, we Philadelphians felt proud.

Meanwhile, I bought a glorious something from Cathy Rose of New Orleans (worth taking a look at this link, truly her work is remarkable)—an addition to my small but growing doll and mask collection. Meanwhile, my husband and I went off for a Reading Terminal lunch—Salumeri's, of course. Meanwhile, we returned to a lit-up sky and I slipped out for a Kelly Simmons rendezvous—a gir's afternoon, silver and gold. When I returned home, walking a brisk dark, a full moon rising, my son called with deliriously good news. You want to know the definition of perseverance, creativity, optimism, extreme hard work, and lessons in hopefulness? I will tell you the story of these past few months and my son. I will tell you everything he taught me, and I will say, again and for the record, I would be half the person that I am without him.

Today I'm off to the woods to teach memoir at the Schuylkill Center, part of the Musehouse Writing Retreat. I'll slip away afterward to see my friend Karen Rile. And then I'll come home and get ready for tomorrow, when I'll see my dear friend Jennifer Brown moderating the Caldecott panel—Chris Van Allsburg, David Wiesner, and Brian Selznick—at Friends' Central School in Wynnewood. (Two o'clock, and hosted by Children's Book World.)

And then I, like the rest of the world, will celebrate the 25th anniversary of the fall of the Berlin Wall. I will just sit and think on it all.

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at work on a keynote, and congratulating Cat Mosier-Mills, selected as a finalist for 2014 YoungArts

Wednesday, November 6, 2013

This morning I'm again at work on the keynote talk I'll be giving this weekend in New York City at the Bank Street Mini-Conference. I have something to say about the sideways process. I have something to learn from my fellow participants—Roger Sutton (The Horn Book), Vicky Smith (Kirkus Reviews), Luann Toth (School Library Journal), and Sarah Smith (children's editor of The New York Times Book Review), not to mention the show's creator, Jennifer Brown.

As I work, I am reflecting back on the students I've met along the way. The young people I have loved and who have taught me most of everything.

I share this photograph this morning, of a particular morning in Miami with the YoungArts writers, both because it reminds me of a very happy time and because a very special young woman—Cat Mosier-Mills—has just been named a writing finalist for 2014 YoungArts. Cat is the daughter of my friends Elizabeth Mosier and Chris Mills. She is a young person I had fervently hoped would have the opportunity to experience the wealth of talent in the multiple disciplines—cinematography, dance, voice, and many others—that YoungArts brings together. Cat is the perfect contributor to a world like this one, and she will, in her own poised, never blaring, always thoughtful way, shine her own bright light.

So today I am looking back and I am looking forward, and I am thinking sideways. I am thinking about gorgeous Cat, and the journey she's about to go on. I am grateful for organizations that care about our children and the talents that they have.

There's still time to register for the Bank Street Mini Conference. I hope to see you there.

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An amazing vista for writers and teachers at the Bank Street Mini-Conference: Please Join Us

Tuesday, October 1, 2013

I would be posting this event even if I had not already said yes to participating many months ago.

Because the Great Jennifer Brown (our children's book ambassador, as I always like to say, in honor of all she contributes to both Bank Street and Shelf Awareness and children's books in general) has assembled the cast.

Because the cast is exceptional.

Because those who say yes to this opportunity on November 9, 2013 in New York City will get to hear the thoughts of Roger Sutton (The Horn Book), Vicky Smith (Kirkus Reviews), Luann Toth (School Library Journal), and Sarah Smith (children's editor of The New York Times Book Review). They'll get to sit down and talk about Mo Willems, Margaret Wise Brown, Arnold Lobel, Judy Blume, J.K. Rowling, M.T. Anderson, Lois Duncan, Marcus Zusak, David Levithan, Elizabeth Wein, and so many others with working writers. They'll have a chance to participate in one-on-one manuscript and portfolio critiques with editors, agents, and art directors. And first thing in the morning, I will raise the great neon orange flag of Handling the Truth, in a talk about how we teach the things that matter.

Did I mention that the Great Jennifer Brown will be in the house?

Please check out all the details here. Please join us. And please do help us spread word.

Thank you.

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headed to Bank Street, for a mini conference, in November

Wednesday, July 31, 2013

Many of you have asked whether I'll be spending time in New York City with Handling the Truth

The answer, magnificently, is yes. At the invitation of Jennifer Brown, I'll be sharing my thoughts about teaching, truth, and the autobiography of hair at a Bank Street Mini Conference. Seeing the great Jenny Brown in a city I love is treat enough. Perhaps I'll also get to see some of you.


The details here:

Bank Street Writers Lab Mini-Conference: The Nitty-Gritty
9AM to 12 Noon, Saturday, November 9, 2013
Opening Keynote: Beth Kephart on the teaching of truth
In a half-day program featuring an esteemed panel of reviewers and a study of mentor texts 
Bank Street College of Education
610 West 112th Street
New York, NY 10025

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Michael G.G. Jennifer Brown

Monday, December 17, 2012


We woke to a deep mist here, a roiling fog.  It seems the skies understand, that they, like us, are weeping. 

It will be difficult for any of us to move forward.  To stop putting our imaginations elsewhere, and grieving.  And maybe that's okay.  Maybe we do just need to stop.

On this necessarily quiet day, I want to thank two extremely generous people for kindness—an attribute more important to me than any other.  The first is Michael G-G, always a smart writer and blogger, always a dear soul, who read two of my books at the same time and had this to say.  Michael understands my relationship to the color blue.  His words on this and on so much more touched me so deeply—and arise out of the mist.

The second is Jennifer Brown, a former school teacher and now the woman I love to call (because it is so true) "the ambassador for children's books."  She was a terrific panel moderator at the Publishing Perspectives conference held a few weeks ago, just after the storm Sandy stopped us all in our tracks.  She reports on the conference today in Shelf Awareness in the meaningful way that she does all things.

Love, and (somehow) healing.

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Tomorrow: A Day so Full, so Rich

Tuesday, November 27, 2012


5:26 AM Train to Philadelphia

6:30 AM Train to NYC

8:30 AM Pre-conference conversations with my dear friends Jennifer Brown (our nation's ambassador for children's books), Laura Geringer (editor of five of my YA books), Rahna Reiko Rizzuto (a very dear friend with whom I have strolled so much of New York (and Central Park)), and Melissa Sarno (the fab blogger at This, Too, and the brain child behind the title of Handling the Truth). I'll also have the great pleasure of seeing, again, Ed Nawotka and Dennis Abrams of Publishing Perspectives and, later, Eliot Schrefer

9:30 AM Lamp Lighters and Seed Sowers:  Tomorrow's YA/
Publishing Perspectives Conference, Keynote Address, Scholastic Building, New York City

10:30 AM: Drawing the Line: What's the Difference Between a YA and an Adult Book?/
Publishing Perspectives Conference Panel, with Andrew Losowsky, Books Editor, Huffington Post, Aimee Friedman, Senior Editor, Scholastic Trade, Elizabeth Perle, Editor, Huffington Post Youth Network, and Dan Weiss, Editor-at-large, St. Martin's Press

2:00 PM  Marketing meeting with the very good people of Gotham/Penguin (launching Handling the Truth next August)

3:15ish PM  Grabbing a hug from the one and only Jessica Shoffel of Philomel/Penguin (who took such good care of Small Damages)

4:40 PM Train from NYC to Philly, second train from Philly to Bryn Mawr in time to see...

7:30 PM  Anne Lamott, speaking at Bryn Mawr Presbyterian Church, where I will be joined by Deacon Supreme, my own father, Horace Kephart

I will do nothing on Thursday, or almost nothing.  But tomorrow, I will leap, headlong.




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Lamp Lighters and Seed Sowers: Tomorrow's YA (keynote address for Publishing Perspectives Conference: YA: What's Next?)

Sunday, November 25, 2012


I'm honored to be giving the keynote address at the upcoming Publishing Perspectives Conference, "YA: What's Next?," which will be held this coming Wednesday in the Scholastic Building in New York City.

My talk, "Lamp Lighters and Seed Sowers: Tomorrow's YA," will feature illustrations by my husband-collaborator, William R. Sulit.  These images have been modeled with 3-D software and amplified by small human interventions, including the lovely "real" hand shown here, which was donated to the cause by my niece, Miranda.

If any of you wish to attend this half-day event—which will feature Ellie Berger, Carl Kulo, David Levithan, Eliot Schrefer, Mara Anastas, Jennifer Brown, Andrew Losowsky, and many more—let me know.  I might just have a discount coupon for you.

Opening words from my talk:


In the days following the colossal storm called Sandy, stories held us captive, terrifying aerial views, the news that began to leak in from friends.  Trash bags strapped on like shiny boots, brand-new adults walked through rising fumes and fresh flotsam, looking for signs of ordinary life.  Heartbroken by saturated eggplants and devastated garden fruits, they crouched to gather seeds.  Asking What can we do?, they collected blankets, baked tins of lasagna, emptied their personal libraries of books and took their spontaneous gifts into darkened neighborhoods.  Meanwhile, the 19-year-old Rutgers student who lost both her parents to a capsized tree and will now raise three younger siblings on her own, was reaching into some impossible well of suddenly-now-adultness to help others suffering the ravages of weather.

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Returning to New York City for the Publishing Perspectives YA: What's Next Conference

Monday, November 5, 2012

We have felt—we still feel—paralyzed by the storm.  Those of us who love New York City and the Jersey Shore, those with friends in Connecticut and south, have watched the news and wondered about how those affected will survive the immediate flood waters and losses, and about how we, entrusted with this world, will somehow correct the devastating weather course we are on.  We have thought about those who died in the terror of the moment.

Shortly before the storm hit, I was invited by Dennis Abrams to return to New York City on November 28th for the second Publishing Perspectives conference, this one titled:  "YA: What's Next."  I said yes in a second (ask Dennis).  The first Publishing Perspectives conference was so well conducted, so informative and classy, that it is a thrill to return, this time as a panel moderator, to that Scholastic stage, where Taylor Swift sat in her signature red not so long ago.

I am always grateful on those days when I travel to New York City.  I know I will feel especially grateful for the ground beneath my feet as I make my way to the Scholastic headquarters on Wednesday, November 28, for the half-day event (9 AM to 1 PM).

I'll be moderating the panel, "YA: What's Next," where I'll be joined by David Levithan (author and VP and Publisher at Scholastic Trade), Francine Lucidon (owner of The Voracious Reader Bookstore), and Eliot Schrefer (2012 National Book Award finalist).

The full slate of speakers can be found at the link here

Finally, thank you to Ed Nawotka, the editor-in-chief of Publishing Perspectives, who has published so many of my stories on people who matter in publishing—Ruta Sepetys, Tamra Tuller, Michael Green, Lauren Wein, Pamela Paul, Jennifer Brown, Vaddey Ratner, Alane Salierno Mason, Eric Hellman, among them.  Click here to read my most recent story, an interview with 2012 National Book Award finalist Patricia McCormick.


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The Fab Five (I feel like a Rock Star)

Wednesday, September 19, 2012

Today, another short note, a simple reminder:

I have the great privilege of joining David Levithan, Ellen Hopkins, Eliot Schrefer, and Jennifer Hubbard this coming Friday, 7 PM, at Children's Book World in Haverford, PA.  CBW is billing us as the Fab Five, and I have Philomel publicist (every author's dream publicist and my good friend) Jessica Shoffel to thank for making me Feel So Fab.

I hope that you will join us. The photograph above was taken during the Publishing Perspectives "What Makes a Children's Book Great?" conference held earlier this summer, where I had so much fun joining moderator Dennis Abrams on the author panel.  The smart and savvy notables from left to right are Roger Sutton (The Horn Book), Pamela Paul (New York Times), David Levithan (Scholastic editor and author phenom), and my good friend Jennifer Brown, a former school teacher, editor, reviewer, and jury panelist (not to mention head of children's books for Shelf Awareness) whom I always rightly refer to as this country's ambassador for children's books. 

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In Shelf Awareness, remembering my grandmother and reflecting on stories in which time works differently

Friday, August 24, 2012

Within every story there are stories, and this morning I am deeply blessed by the chance, in Shelf Awareness, to remember my grandmother and to reflect on the passion I have for creating young adult stories in which time works differently.  Jennifer Brown, the children's book review editor for Shelf Awareness, opened this door to me.  Her kindness toward me and Small Damages has been remarkable.

Pictured above is my beautiful grandmother, whom I lost on Mischief Night when I was nine. She sits beside my grandfather, who holds my brother on his lap.  I am sitting with my beloved Uncle Danny.  My mother's family.  Sweet memories.

Thank you, Jenny Brown and Shelf Awareness.  These are the opening words of my Inklings essay.  The rest can be found here:
My books for young adults are frequently shaped by relationships between those who have so much wanting yet ahead and those looking back, with pain and wonder. Time works differently in books like these, and so does memory.

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Small Damages is returned to me, in such new ways, by Jenny Brown of Twenty by Jenny

Thursday, August 23, 2012

Twenty by Jenny is home to some of the most thoughtful reviews of books written for children and teens—anywhere.  That is because Jenny Brown, its creator, has cared about youth literature for all of her adult life—as a teacher sharing stories, as an editor producing them, and as a critic and enthusiast writing for countless publications, including Shelf Awareness.  Jenny Brown trails golden light.

But I did not know, until late last night, that Jenny Brown, who had written the exquisite Shelf Awareness review of Small Damages, had also taken the time to reflect on Small Damages in Twenty by Jenny.  Her essay is called "Regeneration."  It is, in every way, stunning.  It taught me about my own book, made me step back with new understanding.  This kind of reflection is built of love.  And I am so grateful, Jenny Brown.  I am.

I am so grateful, too, to the ever-vigilant Serena Agusto-Cox, for letting me know.

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the sweetest Shelf Awareness star for Small Damages

Friday, July 27, 2012


In infinite ways, I am grateful for Jennifer Brown's starred review of Small Damages, which appears today in Shelf Awareness.  Jenny writes of wishing the book would, after it ends, begin again.  I feel the same way about Jenny's review, which I have read over and then again, humbled.

And for which there are not enough thanks.


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Kristi Yamaguchi Talks With Jennifer Brown at the BEA

Wednesday, June 6, 2012

When I mentioned to friends that I had seen Kristi Yamaguchi at the BEA, I heard a collective sigh.  Yamaguchi is that kind of loved—a talented athlete, a dedicated artist, a philanthropist, a wife, a mother, the sort of celebrity one hears only good things about.  I had grown up figure skating, which means I had grown up watching Kristi.  And when she danced with Mark on Dancing With the Stars, I—a lover of ballroom dance (if not precisely a ballroom dancer)—watched with special fervency.

The tremendous Jennifer Brown, the children's book editor for Shelf Awareness and a very dear soul, had the honor of interviewing Kristi at the BEA about Kristi's second Poppy book.  I was on hand to write the story for Publishing Perspectives.  You can find the piece here.

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My BEA Day (with photos)



I rose at 3 AM, walked the just-before-dawn streets, took one train and then another (much, oh much too much delayed) train, then ran the long blocks toward the BEA.  I was, shall we say, windblown by the time I arrived.  But there to greet me were the ever-lovely, ever kind Danielle (There's a Book) and Florinda (The 3rs Blog)—first-rate bloggers and people. It was about time I met the generous Danielle.  About time I gave Florinda (who was my unofficial publicist last year at the BEA) another hug.

From there to see my dear friends at Philomel, to meet more of that tremendous team, and to finally say hello to the phenomenal Ruta Sepetys in person; she has a new book coming out that I think will be just as amazing (in many different ways) as Between Shades of Gray.  From there to listen to four of the buzz adult authors talk about the process, their books, their hopes.  A beautiful interlude with Lauren Wein.  Then to sit in the audience of Jennifer Brown (the fantastic children's editor for Shelf Awareness) and Kristi Yamaguchi, an Olympian with a heart of gold. A run from the Downtown Stage to the Uptown Stage so that I could sit in the front row (all other seats were gone) of the YA Buzz panel, featuring, among other people, Melissa Marr, Jenny Han, Tonya Hurley, and my friend Siobhan Vivian.

Just after dawn now, and I've filed all my stories for Publishing Perspectives. I'll link to them here when they go live.

Now I'm going to go fix my hair. Then settle down, and teach.


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Hoping to find you at the BEA

Wednesday, May 2, 2012

My friends:  I'll be at the BEA on Tuesday, June 5, 2012, working for Publishing Perspectives, the fabulous book news pub for which I have written about Pamela Paul (New York Times Book Review children's book editor), Jennifer Brown (Shelf Awareness children's book editor), Lauren Wein (Harcourt Houghton Mifflin editor), Alane Mason (WW Norton editor, not to mention my first editor), and others.  I'll be getting the inside scoop on some important stories.  But I'll also be looking for you.

If you'll be there, let me know?


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what makes a children's book great?: the children's publishing conference 2012

Thursday, March 1, 2012

As some of you know, I have been having a lot of fun writing for Publishing Perspectives—interviewing book editors like Michael Green, Tamra Tuller, Lauren Wein, and Alane Salierno Mason, review editors (and trend makers) Pamela Paul and Jennifer Brown, and technologists/book lovers like Eric Hellman.

On May 31st, I'll have a chance to represent for this fine publication as one of the speakers at the inaugural Children's Publishing Conference 2012, to be held at the Scholastic Headquarters.  I'll be joining (among others) Pamela Paul of the New York Times Book Review, Jacob Lewis, CEO of Figment, Kevin O'Conner, who directs business and publishers relations for Barnes and Noble, NOOK Kids, and agents Rosemary Stimola and Ken Wright.

I hope those of you interested in the future of children's books will consider registering for this event.  I know that I am looking forward to it.

For a full press release, please go here


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when good things happen to good people: congratulations to Alyson Hagy, Lilian Nattel, Alex Kotlowitz, Laura Geringer, Buzz Bissinger

Sunday, February 26, 2012





This morning I take a moment to honor my friends whose work is gaining the attention it most assuredly deserves.

Alex Kotlowitz, a supremely talented writer and journalist who recently transitioned into film, won a Spirit Award for his documentary, "The Interrupters," made with Steve James for Kartemquin Films.  It's an extraordinary recognition, and I'm so happy for him.

Alyson Hagy, one of my dearest friends and one of the great Renaissance ladies of our times (not just a writer and a teacher, but a university leader and an athlete), received a starred review from Publishers Weekly for her most-magnificent Boleto, which will appear in stores in May.  It's the first of many accolades for Alyson, who was cited by PW as "fast becoming a recognizable author of the American West."  I have no words.  Her time has come.

Lilian Nattel, meanwhile, is enjoying a rush of deeply deserved attention for her groundbreaking novel, Web of Angels, a book I recently reviewed here.  She's on the radio, she's in the papers, and her book is selling.  After many years of work on this book, she emerges with a winner.

Laura Geringer, who first invited me to write for teens however many years ago, will, like the rest of us, be watching the Oscars this evening.  But Laura will have a very special connection, for an animated short in which she played a key role, "The Fantastic Flying Books of Mr. Morris Lessmore," is up for one of those shiny figurines.  It's a short dedicated to a great man in books, Bill Morris—a man Jennifer Brown, featured last week in Publishing Perspectives, refers to as her unforgettable mentor.  Many bibliophiles are cheering this short on. 

Lots of people, finally, are talking about Buzz Bissinger's remarkable memoir, Father's Day, also due out in May.  Buzz broke my heart with this book, as I wrote here.  He's about to break the hearts of many.  If things go as planned, Buzz will be joining my classroom this Tuesday, talking about how this book got made.  We will be lucky to have him.


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My conversation with Jennifer Brown, Children's Editor, Shelf Awareness

Wednesday, February 22, 2012

Not long ago, I wrote a piece for Shelf Awareness, that fantastic e-newsletter for the publishing trade, about the future of young adult books—underscoring trends, suggesting new possibilities.  Publishing the essay was, of course, a privilege.  But the greater privilege was all that went on behind the scenes, as I worked with Jennifer Brown, the SA children's editor.  It wasn't just a back-and-forth about a story's shape and timing.  It was a conversation—wide-ranging, funny, thoughtful, perpetually kind.  I frankly couldn't get enough of Jenny, and when I asked Ed Nawotka of Publishing Perspectives if I might interview her for a profile, he said (thank you, Ed) yes.

Here, then, is Jennifer Brown—editor, reviewer, advocate, enthusiast—whose impact on children's books is the stuff of which legacies are made.  She could, I've often thought, write the definitive book on the history of books written for the young.  For now, though, she's focused on brightening the future.

A brief side note.  Yesterday, Laura Geringer, who asked me to write for teens in the first place and edited five of my YA titles, mentioned in a note that an animated short with which she had been involved had been nominated for an Oscar.  The Fantastic Flying Books of Mr. Morris Lessmore (which is glorious, and can be watched here) is dedicated to Bill Morris, a man who mentored Jenny for many years.  Paths cross and tangle in publishing.  I am grateful to be knotted in.

My previous Publishing Perspectives stories can be found here:

Unglue.it: Changing the future of e-books....

The Value Rubric:  Do Book Bloggers Really Matter?

The Attraction-Repulsion of International Literature: My conversation with Alane Salierno Mason

Transforming Children's Book Coverage at the New York Times: My conversation with Pamela Paul

Success is when the world returns your faithMy conversation with editor Lauren Wein

Between Shades of Gray:  The Making of an International Bestseller  

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